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https://www.theartstory.org/movement/high-renaissance/
Although many artists vied for status and commissions during the High Renaissance, Leonardo da Vinci, Michelangelo, Raphael, and architect Donato Bramante are undoubtedly the period's most notable legends who exemplify the term "Renaissance" man in their …
https://courses.lumenlearning.com/boundless-arthistory/chapter/the-high-renaissance/
Sculpture in the High Renaissance. Bacchus. The Bacchus is Michelangelo’s first recorded commission in Rome . The work is made of marble, it is life sized, and it is carved in the round ... Pieta. While the Pieta is not based on classical antiquity in subject matter, the forms display the restrained ...
http://www.visual-arts-cork.com/history-of-art/high-renaissance-artists.htm
In Florence and Rome, the three foremost Old Masters of High Renaissance painting were: Leonardo (1452-1519); Raphael (1483-1520) and Michelangelo (1475-1564).
https://www.italian-renaissance-art.com/High-Renaissance.html
High Renaissance artists were very often skilled in many fields, Leonardo da Vinci was, of course, a master of many different sciences and Michelangelo was a gifted poet, painter and sculptor. The third member of the trilogy of artists, who are often viewed as ultimate examples of high renaissance art, Raphael , was an architect and extraordinarily gifted painter.
https://mymodernmet.com/italian-renaissance-art-definition/
Dec 31, 2017 · Sandro Botticelli, The Birth of Venus (1480s) (Photo: Uffizi via Wikimedia Commons) Between 1490 and 1527, well-known Italian artists like Da Vinci, Michelangelo, and Raphael produced particularly celebrated works of art. This period of time is often referred to as the “High Renaissance.”
https://www.britannica.com/event/Renaissance/The-High-Renaissance
High Renaissance art, which flourished for about 35 years, from the early 1490s to 1527, when Rome was sacked by imperial troops, revolved around three towering figures: Leonardo da Vinci (1452–1519), Michelangelo (1475–1564), and Raphael (1483–1520).
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