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https://www.amazon.com/Artists-Exile-Twentieth-Century-Revolution-Transformed/dp/0060748508
Featuring the stories of George Balanchine, Kurt Weill, Fritz Lang, Billy Wilder, Greta Garbo, Marlene Dietrich, and many others, Artists in Exile explores the impact that these famous newcomers had on American culture, and that America had on them.3.6/5(8)
https://www.goodreads.com/book/show/2210372.Artists_in_Exile
Feb 01, 2008 · Artists in Exile: How Refugees from Twentieth-Century War and Revolution Transformed the American Performing Arts. by. Joseph Horowitz. 3.43 · Rating details · 49 ratings · 7 reviews. During the first half of the twentieth century—decades of war and revolution in Europe—an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, …3.4/5
https://www.amazon.com/Artists-Exile-Twentieth-Century-Revolution-Transformed/dp/006074846X
Based on what Horowitz admits is a highly select group of artists, he often poses broad questions and makes bold, generalized statements, such as trivializing the plight of the immigrant artist in contemporary American society: the tensions of forced migration—of exile and nostalgia—have abated.3.6/5(8)
https://www.harpercollins.com/products/artists-in-exile-joseph-horowitz?variant=32207737454626
During the first half of the twentieth century—decades of war and revolution in Europe—an "intellectual migration" relocated thousands of artists and thinkers to the United States, including some of Europe's supreme performing artists, filmmakers, playwrights, and choreographers. For tBrand: Harpercollins E-Books
https://www.nybooks.com/articles/2008/06/12/artists-in-exile/
To the Editors:. According to Robert Gottlieb’s review [NYR, May 15], “much of the confusion” in my Artists in Exile: How Refugees from Twentieth-Century War and Revolution Transformed the American Performing Arts arises from misuse of the words “refugee” and “exile.”But I acknowledge using these terms loosely in a title calibrated—as titles must be—to stir interest.
https://www.nytimes.com/2008/02/03/books/review/Lopate-t.html
Feb 03, 2008 · There were advantages, apparently, to being thought an artist in exile. The performers Vladimir Horowitz and Jascha Heifetz, the composers Erich Korngold (who …
https://www.kirkusreviews.com/book-reviews/joseph-horowitz/artists-in-exile/
A former New York Times music critic demonstrates how an influx of artists, principally from Germany and the Soviet Union, forever altered American dance, classical music, cinema and theater.. Horowitz (Classical Music in America: A History of Its Rise and Fall, 2005, etc.) skillfully presents a series of case studies to illustrate and illuminate his thesis.Author: Joseph Horowitz
https://www.chron.com/life/books/article/Artists-in-Exile-by-Joseph-Horowitz-1759418.php
Artist émigrés didn't just enrich their own lives; they enhanced U.S. performing arts in...
http://www.bookforum.com/inprint/014_05/2087
Jewish refugee artists in particular, Horowitz notes, “bonded with blacks from a shared experience of marginality.” Horowitz, a former New York Times music critic, has written extensively and with rare acuity on the crosscurrents of European and American influence on classical music (most recently, Classical Music in America [2005]). Yet one wishes he had spent as much time exploring the fascinating …
https://www.lucyabrams.net/news/2020/5/20/artists-in-exile-and-classical-music-in-america-contextualizing-the-writings-of-joseph-horowitz
May 20, 2020 · Horowitz’s second significant claim in Artists in Exile was that the United States welcomed immigrant performers but no immigrant composers. He wrote, “in the course of the twentieth century it became obvious that American classical music was peculiarly dedicated to a culture of performance that welcomed illustrious immigrant conductors, pianists, and violinists, and ignored …
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