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https://en.wikipedia.org/wiki/Jean-Auguste-Dominique_Ingres
Jean-Auguste-Dominique Ingres (/ ˈ æ ŋ ɡ r ə, ˈ æ̃ ɡ r ə / ANG-grə, French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter.Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of ...Born: Jean-Auguste-Dominique Ingres, 29 August …
https://www.britannica.com/biography/J-A-D-Ingres
Jan 10, 2021 · J.-A.-D. Ingres, in full Jean-Auguste-Dominique Ingres, (born August 29, 1780, Montauban, France—died January 14, 1867, Paris), painter and icon of cultural conservatism in 19th-century France. Ingres became the principal proponent of French Neoclassical painting after the death of his mentor, Jacques-Louis David.His cool, meticulously drawn works constituted the stylistic antithesis …
https://frankensaurus.com/Jean-Auguste-Dominique_Ingres
In contrast to the Neoclassical perfectionism of his chief rival Ingres, Delacroix took for his inspiration the art of Rubens and painters of the Venetian Renaissance, with an attendant emphasis on colour and movement rather than clarity of outline and carefully modelled form. Eugène Delacroix-Wikipedia
https://en.wikipedia.org/wiki/Odalisque_with_Slave
Ingres painted a number of harem scenes during his long career, starting with the Grande Odalisque (1814). These works exemplify a taste for Orientalist subject matter shared by many French painters of the Romantic era, notably Ingres' rival Eugène Delacroix. As Ingres never visited the Near East, Odalisque with Slave depicts an imaginary scene.
http://www.all-art.org/history372.html
For most of the first half of the 19th century, Ingres was a champion of line and of firm contour, of subtly graded, clear colour, and of carefully balanced composition. He viewed with contempt the dramatic chiaroscuro, the turbulent movement, and the tense emotional context of his chief rival, the Romantic painter Eugene Delacroix.
https://impressionistarts.com/jean-auguste-dominique-ingres-biography
Art historians have pointed to the influence of Ingres in Matisse’s ‘Joy of Life’ painting from 1905 with the clean lines of the nude female figures echoing Ingres’ Neoclassical nudes. One of the best parallels is Ingres’ ‘Turkish Bath’ painting , produced between 1852 and 1859 and modified again in 1862.
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