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https://www.theartstory.org/movement/institutional-critique/artworks/
Artworks and Artists of Institutional Critique Progression of Art. 1968-69. Affichages Sauvages. Artist: Daniel Buren. This photograph, which the artist called a "photo-souvenir", shows his "wild posters" displayed in public spaces in Paris. Comprised of sheets of paper featuring his iconic stripes, the posters were placed on public buildings ...
https://fineartamerica.com/art/institutional
Shop for institutional art from the world's greatest living artists. All institutional artwork ships within 48 hours and includes a 30-day money-back guarantee. Choose your favorite institutional designs and purchase them as wall art, home decor, phone cases, tote bags, and more!
https://en.wikipedia.org/wiki/Institutional_Critique
In art, Institutional Critique is the systematic inquiry into the workings of art institutions, such as galleries and museums, and is most associated with the work of artists like Michael Asher, Marcel Broodthaers, Daniel Buren, Andrea Fraser, John Knight, Adrian Piper, Fred Wilson, and Hans Haacke and the scholarship of Alexander Alberro, Benjamin H. D. Buchloh, Birgit Pelzer, and Anne Rorimer. Institutional …
https://www.theartstory.org/movement/institutional-critique/
Apr 18, 2015 · Reflecting both a general term used for artists critiquing the way that galleries, museums and other institutions are run, and a specific group of Conceptual artists working between the 1960s and 1980s, Institutional Critique is a movement that makes the unacknowledged mechanics of art world funding, curation and acquisition explicit, in the hope that it can be changed.
https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100005387
Feb 28, 2021 · Institutional Theory of Art. Quick Reference. The view championed by George Dickie in 1974, following on work by Arthur Danto, that art institutions such as museums and galleries, and specific agents working within them, have the power to dictate what is art and what is not. There is no property of being a work of art other than being deemed to ...
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