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Institutions by Artists. 1,053 likes. Institutions by Artists is a project of Pacific Association of Artist Run Centres (PAARC), Fillip magazine, and Artist-Run Centres and Collectives Conference /...
https://www.afterall.org/article/pluralising-the-institution-on-the-conference-institutions-by-artists/
Art historian Julia Bryan-Wilson posed this question during a session at ‘Institutions by Artists’, a three-day conference that brought over fifty speakers from around the world to Vancouver, Canada on 12–14 October 2012. 1 In urging for a personal reflection on artist-run projects, Bryan-Wilson dug deep into the motivations that drove ...
http://arcpost.ca/conference
149 West Hastings Street. Vancouver, Canada. Institutions by Artists is a three day, international event that evaluates and activates the performance and promise of contemporary artist-run centres and initiatives. Convening a world congress of artists, curators, critics, and academics, Institutions by Artists will deliberate, explore, and advance the common interests of artist-run centres, collectives, and …
http://summit.sfu.ca/system/files/iritems1/13074/10_ArtifactInstitute_Study1_Report.pdf
the Institutions by Artists Convention, held in Vancouver, British Columbia, Canada from October 12 to 14, 2012. The Convention was described by its organizers as an “international event that evaluates and activates the performance and promise of contemporary artist-run centres and initiatives”. Given the Convention’s theme, its
https://www.artsy.net/article/theartgenomeproject-art-and-the-institution
Feb 12, 2014 · A current exhibition at the Hammer Museum in Los Angeles, called “Take It or Leave It: Institution, Image, Ideology” is revisiting the history of Institutional Critique, which is historically associated with a group of artists beginning in the 1960s who directly challenged the settings in which their work was exhibited.Among the most commonly mentioned names are Marcel Broodthaers, …
https://icsid.worldbank.org/sites/default/files/documents/ICSID%20Convention%20English.pdf
1965, the Executive Directors submitted the Convention, with an accompanying Report, to member governments of the World Bank for their consideration of the Convention with a view to its signature and ratification. The Convention entered into force on October 14, 1966, when it had been ratified by 20 countries. As at April 10, 2006, 143
https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100005387
Feb 28, 2021 · The view championed by George Dickie in 1974, following on work by Arthur Danto, that art institutions such as museums and galleries, and specific agents working within them, have the power to dictate what is art and what is not. There is no property of being a work of art other than being deemed to be such by authorized members of the art world. Like other social constructivist views, the …
https://core.ac.uk/display/56377216
Words like “Centre”, “Institute”, “Laboratory”, and “Office” figure prominently in the names of artist-initiated entities. What accounts for the impulse to project agency and authorship through an impersonal entity rather than through the figure of the individual artist?
https://www.ohchr.org/EN/ProfessionalInterest/Pages/SupplementaryConventionAbolitionOfSlavery.aspx
Supplementary Convention on the Abolition of Slavery, the Slave Trade, and Institutions and Practices Similar to Slavery Adopted by a Conference of Plenipotentiaries convened by Economic and Social Council resolution 608(XXI) of 30 April 1956 and done at Geneva on 7 September 1956 Entry into force: 30 April 1957, in accordance with article 13 ...
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Institutions by Artists. 1,054 likes · 1 talking about this. Institutions by Artists is a project of Pacific Association of Artist Run Centres (PAARC), Fillip magazine, and Artist-Run Centres and...
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