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https://poemanalysis.com/robert-browning/andrea-del-sarto/
Jul 09, 2018 · Summary of Andrea del Sarto. The poem begins with the speaker, the artist Andrea del Sarto, asking his wife, Lucrezia, to come and sit with him for a moment without fighting. He wants the two of them to have a quiet moment together before he jumps into a reflection of his life. The speaker begins by describing the passage of time and the lack of control he feels he had over his life.Author: Emma Baldwin
https://goodstudy.org/andrea-del-sarto/
May 02, 2020 · “Andrea del Sarto” maybe a meandering poem of 267 lines in the poem, broken unevenly into three stanzas of 243, 23, and 1 line (s). The title identifies the topic of the poem, Andrea del Sarto, a distinguished artist of the Florentine School of painting. The poem is written within the person, the speaker being Andrea, not Browning.
https://www.sparknotes.com/poetry/browning/section10/
This poem represents yet another of Browning’s dramatic monologues spoken in the voice of an historical Renaissance painter. Andrea del Sarto, like Fra Lippo Lippi, lived and worked in Florence, albeit a little later than Lippo, and was later appointed court painter by Francis, the King of France.
http://goodstudy.org/andrea-del-sarto-2/
” Andrea del Sarto “ is a dramatic monologue where Andrea del Sarto is the speaker and his wife ‘Lucrezia’ is the silent listener. The poem deals with the tragic life of the Italian artist Andrea del Sarto. As the poem begins, we see that One evening ‘Lucrezia’ is about to leave the house to meet her lover.
http://www.all-art.org/artists-a-Andrea_del_Sarto.html
His life and works were much studied and admired in the 19th с and Browning's poem Andrea del Sarto was a sensitive and acceptable picture of a gifted, irresolute and reflective man. A.'s frescoes Birth of the Virgin (1514) and Madonna del Sacco (1525), both in S. Annunziata church, Florence, are perfect examples of the High Renaissance.
https://www.wikiart.org/en/andrea-del-sarto
Andrea del Sarto (Italian: [anˈdrɛːa del ˈsarto]; 1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci , Michelangelo and Raphael .
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