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https://en.wikipedia.org/wiki/Category:17th-century_Italian_painters
Artists in biographies by Giovanni Baglione; Pietro Giovanni Abbati; Guido Ubaldo Abbatini; Filippo Abbiati; Salomon Adler; Ciro Adolfi; Giacomo Adolfi; Cristoforo Agosta; Giuseppe Agellio; Angelica Veronica Airola; Giuseppe Alabardi; Francesco Albani; Giacomo Alberelli; Giorgio Alberino; Cherubino Alberti; Durante Alberti; Giovanni Alberti; Giuseppe Alberti; Pietro Francesco Alberti
https://www.nga.gov/collection/paintings/italian-17th-century.html
Italian Paintings of the 17th Century. Orazio Gentileschi. The Lute Player, 1612/1620. Ailsa Mellon Bruce Fund. 1962.8.1. View all 17th-Century Italian paintings. Painting in 17th-century Italy was an international endeavor. Large numbers of artists traveled to Rome, especially, to work and study.
https://medium.com/@rachelqin/italian-art-market-in-17th-century-i-7f2993de9f8e
Jul 14, 2018 · Roman artists were the richest in Italy in the seventeenth century at their death. Pietro da Cortona left an estate worth more than 100,000 scudi, while the richest artist in Venice, Loth, only...
https://www.britannica.com/topic/list-of-artists-and-architects-of-the-17th-century-2003693
The following list of artists and architects who flourished in the 17th century is organized alphabetically by country of origin or residence. With a few exceptions, the work of these artists falls into either the Baroque or the Classical style, though sometimes both. Baroque art is generally recognized by its emotional qualities, its moodiness ...
https://academytravel.com.au/blog/women-artists-of-16th-17th-century-italy/
Artemisia Gentileschi’s Judith Beheading Holofernes, 1614–1620, Pitti Palace, Florence. Renaissance artists were trained in-house and, like artists’ sons in the 16th and 17th centuries, Italian daughters followed their fathers into the profession – such as Marietta Robusti, whose father Jacopo is better known as Tintoretto.
https://emptyeasel.com/2007/10/30/the-baroque-art-movement-artists-and-artwork-of-the-17th-century/
Oct 30, 2007 · Caravaggio’s painting, The Taking of the Christ, shows the two signature elements of his style—extreme lights and darks with expressively realistic faces and gestures. His work is a little less grandiose than later Baroque art, but the emotion, movement, and drama is certainly there.
http://www.italianrenaissanceresources.com/units/unit-3/essays/the-status-of-artists/
The development of art academies was evidence of and a further force for the rise in artists’ status. From the time of Cennino Cennini (see Introduction), Italian artists had argued that their work should be compared with that of poets, since both required fantasia (imagination). Lorenzo Ghiberti wrote in his Commentarii (probably compiled c. 1430–50) that a first-rate artist ought to be ...
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