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https://www.britannica.com/biography/Ivan-Albertovich-Puni
Dec 24, 2020 · Ivan Albertovich Puni, also called Jean Pougny, (born Feb. 22 [March 5, New Style], 1892, Kuokkala, Fin. [now Repino, Russia]—died Dec. 28, 1956, Paris, France), Russian painter and graphic artist who actively furthered the early (prewar) development of the Russian avant-garde. The son of a cellist and grandson of the renowned composer Tsezar Puni (1802–70, originally Cesare Pugni from Italy), Ivan Puni was exposed to music and art …
https://www.moma.org/artists/4754
Ivan Albertovich Puni (Russian: Иван Альбертович Пуни; also known as Jean Pougny; 20 February 1892 – 28 December 1956) was a Russian avant-garde artist (Suprematist, Cubo-Futurist).
https://www.the-artists.org/ivan-puni/
The artist Ivan Puni Born 1892, Konokkala, Finland. Died 1956, Paris, France. Style and technique of the artist: Painting, Printmakers, Suprematism, Ivan Puniartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles. Ivan Albertovich Puni, birthname: Jean Pougny.
https://www.jamesbutterwick.com/artists/ivan-puni/
Ivan Puni was born in Kuokkala, Finland, to a family of Italian origins, the grandson of an eminent Italian composer, Cesare Pugni. His father, a cellist, insisted that he follow a military career, but Ivan instead decided to take private drawing lessons with Ilya Repin. By 1909, he had his own studio.
https://www.widewalls.ch/artists/ivan-puni
Ivan Puni, also known by the western version of his name Jean Pougny, was a Russian avant-garde artist who considered himself to be a Suprematist and Cubo-Futurist. Ivan Puni Russia 1892 - 1956
https://www.artnews.com/art-news/news/the-faking-of-the-russian-avant-garde-236/
Jul 01, 2009 · Last year the Bunkamura Museum of Art in Tokyo removed five works attributed to Chagall, Kandinsky, and Ivan Puni from an exhibition lent by the Moscow Museum of Modern Art, although the Moscow ...
http://www.petroart.ru/en/art/p/puni/main.php
Ivan Puni Albertovich (1892-1956) I. Puni contemporaries remembered as a serial cubist, strong painter, who claimed in the debate of the 1920s. uselessness of the artist for the production, declares beautiful skyscrapers and machines themselves, for the first time, perhaps, making a distinction between technical and artistic aesthetics.
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