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http://www.metmuseum.org/TOAH/hd/dagu/hd_dagu.htm
The astonishingly precise pictures they saw were the work of Louis-Jacques-Mandé Daguerre (1787–1851), a Romantic painter and printmaker most famous until then as the proprietor of the Diorama, a popular Parisian spectacle featuring theatrical painting and lighting effects. Each daguerreotype (as Daguerre dubbed his invention) was a one-of-a-kind image on a highly polished, silver-plated sheet of …
https://www.britannica.com/biography/Louis-Daguerre
Louis Daguerre, in full Louis-Jacques-Mandé Daguerre, (born November 18, 1787, Cormeilles, near Paris, France—died July 10, 1851, Bry-sur-Marne), French painter and physicist who invented the first practical process of photography, known as the daguerreotype. Though the first permanent photograph from nature was made in 1826/27 by Nicéphore Niépce of France, it was of poor quality and required …
https://arthistoryunstuffed.com/louis-jacques-mande-daguerre-1787-1851/
Dec 12, 2014 · Louis Jacques Mandé Daguerre (1787-1851) “I am burning with desire to see your experiments with nature,” Daguerre wrote to Niépce in 1828. The partnership of Joseph Nicéphore Niépce and Jacques Daguerre was an unlikely one.
https://www.britannica.com/technology/photography/Daguerreotype
Louis-Jacques-Mandé Daguerre was a professional scene painter for the theatre. Between 1822 and 1839 he was coproprietor of the Diorama in Paris, an auditorium in which he and his partner Charles-Marie Bouton displayed immense paintings, 45.5 by 71.5 feet (14 by 22 metres) in size, of famous places and historical events.
https://myassignmenthelp.com/free-samples/an-essay-on-louis-daguerre
Introduction. Louis Jacques Mandé Daguerre was a photographer and an artist who was born in the French region of Cormeilles-en-Parisis, Val-d’Oise. He was born on November 18, in the year 1787. At the tender age of sixteen, he started working with the creator of …
https://www.metmuseum.org/art/collection/search/283101
Unknown. Daguerre's supposed reluctance to be photographed perhaps explains the relatively small number of daguerreotypes that depict him. Previously attributed to both Pierre Ambroise Richebourg and, as a self-portrait, to Daguerre himself, insufficient evidence exists to support either claim. In any case, this image, despite damage to the plate, remains one of the most engaging portraits of the …
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