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https://www.metmuseum.org/art/collection/search/13395
Artist: James Van Dyck (active 1825–44) Date: 1834–36. Culture: American. Medium: Watercolor on ivory. Dimensions: 1 15/16 x 1 9/16 in. (4.9 x 4 cm) Classification: Paintings. Credit Line: Maria DeWitt Jesup Fund, 1990. Accession Number: 1990.58
https://fineartamerica.com/art/van+dyck
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https://www.nationalgallery.org.uk/artists/anthony-van-dyck
Van Dyck was an extremely successful portraitist and painter of religious and mythological pictures in Antwerp and Italy. He was also an accomplished draughtsman and etcher. However, he is now best remembered for his elegant representations of Charles I and his court. Van Dyck was born in Antwerp.
https://www.wikiart.org/en/anthony-van-dyck
His influence on the young artist was immense; Rubens referred to the nineteen-year-old van Dyck as "the best of my pupils". The origins and exact nature of their relationship are unclear; it has been speculated that van Dyck was a pupil of Rubens from about 1613, as even his early work shows little trace of van Balen's style, but there is no clear evidence for this.
https://www.nga.gov/collection/artist-info.1259.html
Van Dyck registered as a master in the Antwerp Saint Luke's Guild on 11 February 1618, by which time he was already in demand as a portrait painter (see the NGA painting, Portrait of a Flemish Lady ). By 1615-1616, however, Van Dyck had presumably established his own workshop in a large house called Den Dom van Ceulen.
https://en.wikipedia.org/wiki/List_of_paintings_by_Anthony_van_Dyck
Portraits (1632–1649) From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France .
https://www.metmuseum.org/art/collection/search/436252
Van Dyck depicts the Duke of Richmond and Lennox as a paragon of aristocratic self-possession and nonchalance. With a blonde lovelock spilling over his lace collar, the duke wears the insignia of the Order of the Garter, England’s highest order of chivalry; the portrait may commemorate his investiture in November 1633.
https://en.wikipedia.org/wiki/Anthony_van_Dyck
Sir Anthony van Dyck (Dutch pronunciation: [vɑn ˈdɛik], many variant spellings; 22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy.. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent ...
https://www.thecollector.com/anthony-van-dyck-painter/
Born on March 22, 1599, in Antwerp, he was the seventh of twelve children. His father was a silk merchant and his mother was a skilled embroiderer. Van Dyck quickly became one of the most well-known artists from Flanders (present-day Belgium), behind Peter Paul Rubens.
https://www.invaluable.com/artist/van-dyck-anthony-8h5p5vq6kn/sold-at-auction-prices/
Van Dyck makes use of strong contrasts between black, white and grey. The portrait was engraved by Bart Weyfs, painted by Hans Sielbings and drawn by Anthonis van Dyck.The copper engraving is inscribed at the upper margin in the plate ‘Bart Weyfs fici ingi / Hans Sielbings …
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