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http://janehammondartist.com/biography/
Hirsch, Faye, “Working Proof: Jane Hammond and Raphael Rubinstein” Art on Paper, December, 2002, pp. 54-55 (illustrations) Lovelace, Carey, “Jane Hammond at Galerie Lelong,” Art in America, April, pp. 152 -153 (illustration) Carrier, David, “Jane Hammond at the Cleveland Center for Contemporary Art,” Artforum, March, p. 144 ...
http://janehammondartist.com/work/painting/
Mad Elga #2 (1997), Oil and mixed media on canvas, 69" x 102", Collection of the Detroit Institute of Art. Freezer Burn (1995), Oil and mixed media on wood panel, 77" diameter. Shanghai Costumes Four (2003), Oil on wood panels, 52" x 62 x 3.75” overall. Detail 1 from The Day Signs for Deer (2005), Oil paint with various mediums, acrylic paint ...
https://www.artsy.net/artist/jane-hammond
Biography In her paintings and photographic prints, Jane Hammond organizes found image fragments into surreal juxtapositions, foraging flea markets, used bookstores, and antique shops for inspiration.Nationality: American
http://www.artnet.com/artists/jane-hammond/
Jane Hammond is a contemporary American artist whose works probe the encyclopedic quality and meaning behind images. In one her best-known works Fallen (2004–2012), Hammond made thousands of autumnal leaves from inkjet prints, with each leaf representing a soldier killed during the Iraq War.Nationality: American
https://www.galerielelong.com/artists/jane-hammond
Wit, meticulous craft, and surprising juxtapositions of meaning are hallmarks in the paintings, photographs, and mixed media works by Jane Hammond. Hammond incorporates an encyclopedic collection of images—from the past and present, history and fiction—to explore the fluidity of meaning as images shift, a process she has referred to as “recombinant DNA.”
https://www.galerielelong.com/exhibitions/jane-hammond
To inaugurate Galerie Lelong’s fall season, multidisciplinary artist Jane Hammond will present her latest body of work, the “dazzle paintings”—a stunning combination of painting and photography in which the artist infuses the still image with a sense of flow, interactivity, and mutability.
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