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http://www.janineantoni.net/
All images © Janine Antoni. All rights reserved. Unauthorized use is prohibited.
https://art21.org/artist/janine-antoni/
Janine Antoni. Janine Antoni was born in Freeport, Bahamas, in 1964. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Antoni’s work blurs the distinction between performance art and sculpture. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for …
https://www.artsy.net/artist/janine-antoni
For Janine Antoni, the body is a tool with which to create art. Combining performance and sculpture, she investigates such everyday activities as eating and sleeping. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two Minimalist-looking cubes—one made of 600 pounds of lard and the other of chocolate. With the discarded mouthfuls of chocolate and lard, she created 27 boxes of …Nationality: Bahamian
https://www.thebroad.org/art/janine-antoni
Artist Bio. Since the 1990s, Janine Antoni has played a prolific role in performance and installation art. Using her body as the primary tool for making her work, Antoni has drawn with her eyelashes, painted with her hair, and sculpted blocks of lard and chocolate with her teeth. She also created soap-carved self-portraits by bathing with them, and used the brainwave signals recorded from her dreams as a pattern …
http://www.artnet.com/artists/janine-antoni/
Janine Antoni is a contemporary American artist known for her performances and sculptural installations. Antoni’s Gnaw (1992), is an example of the artist using her body as a tool for sculpture. In the work, she chewed 600-pound cubes of chocolate, then the same quantity of lard, until she was too exhausted to continue.Nationality: American
http://www.janineantoni.net/loving-care/
Photographed by Prudence Cumming Associates at Anthony d’Offay Gallery, London, 1993 In Loving Care, Antoni mopped the floor of the gallery with her hair soaked in Loving Care hair dye “Natural Black.” The artist’s actions conjured up the expressive marks of Abstract Expressionist painting, linking them to the chore of mopping.
https://art21.org/watch/art-in-the-twenty-first-century/s2/janine-antoni-in-loss-desire-segment/
Sep 10, 2003 · Janine Antoni in "Loss & Desire". Art in the Twenty-First Century. Season 2. September 10, 2003. Filmed weaving a rope out of materials donated by friends and relatives, Janine Antoni comments that the rope is like a “lifeline.”. The artist is later shown walking a tightrope, preparing for the video Touch where she appears to walk on the blue ocean horizon of her childhood home in the …
https://bordercrossingsmag.com/article/the-beautiful-trap-janine-antonis-body-art
When Janine Antoni performed Loving Care in 1993, she moved herself into the history of contemporary art, and she has occupied that place ever since. Like any negotiation with history, the understanding of her performance, in which she dipped her long hair in black dye and set about mopping the floor, has been complicated by its initial reception.
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