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https://www.britannica.com/topic/literati
The concept of literati painters was first formulated in China in the Bei (Northern) Song dynasty but was enduringly codified in the Ming dynasty by Dong Qichang. In the 18th and 19th centuries, literati painting became popular with the Japanese, who exaggerated elements of Chinese composition and brushwork. See also Ike Taiga.
https://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0163.xml
Publications in Japanese through the Mid-20th Century. As in Kanematsu 1910, the earliest writing on Japanese literati painting was done by literati painters themselves, or, as in Tajima 1909–1910 and Tajima and Ōmura 1899–1908, by scholars who included paintings by literati artists in folios that compiled famous paintings, often with the inclusion of names of famous collectors of the day.
https://courses.lumenlearning.com/boundless-arthistory/chapter/the-edo-period/
Japanese literati were not members of an academic, intellectual bureaucracy like their Chinese counterparts; while the Chinese literati were academics aspiring to be painters, the Japanese literati were professionally trained painters aspiring to be academics and intellectuals.
http://www.artofbonsai.org/feature_articles/literati.php
The word Literati is used by many practitioners and is a Latin name originally attributed to the Japanese Bunjin due to the lack of an exact English equivalent. Bunjin is in turn a translation of the Chinese Wenjen, the word used in Chinese to denote those scholars who were practiced in the arts.
https://www.metmuseum.org/toah/hd/edop/hd_edop.htm
In the eighteenth century, a Japanese response to the few threads of Chinese literati culture, introduced by Ming Chinese monks at Manpukuji south of Kyoto, resulted in a new style known as bunjinga (“literati painting”), or nanga (“painting of the Southern School”) after the Ming term for literati painting.
https://www.rafu.com/2015/08/east-asian-ceramics-japanese-literati-paintings-at-usc-pam/
Aug 26, 2015 · Japanese Artists, Chinese-Inspired Landscapes “The View from a Scholar’s Studio: Japanese Literati Paintings from Tiezudingzhai Collection” is now on view at the museum’s Frank and Toshie Mosher Gallery of Japanese Art. Part 1 ends Sunday, Sept. 13, followed by Part 2 from Wednesday, Sept. 23, to Jan. 17, 2016 and Part 3 from Jan. 27 to ...
http://www.the-kura.com/catalog/query.php?fromtrocadero=1&dealers=thekura&start=60&l=60&view=list
His works also show the influence of literati artists Tomioka Tessai and eccentric Buddhist Sengai Gibon. He developed a hybrid of these which has proven extremely popular, even with contemporary audiences and his work is still highly prized. In 1935 he was made a member of the Japan Art Academy. He died the following year at the age of 58.
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