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http://www.norfolkstainedglass.org/artisans/victorians.shtm
John Dixon (Norwich) In contrast to Yarrington, John Dixon (1783 – 1857) gained his early experience with lesser medieval restorations. Then around 1837 he began the restoration of glass in St Peter Mancroft, a church where he acted as warden.
http://www.yyarchitects.com/news/1997/signature-48009/
A large dome inside the cozy library boasts glasswork created by Royal Oak stained-glass artist John Dixon. And above the living room fireplace, soft daylight peeks through carefully placed slots in the ceiling. The beauty behind the natural light sources inside the Fieger home is that no one ever detects a hole in the ceiling.
https://www.dixon.org/the-dixon-post?page=3
This fall, Dixon Education Staff partnered with University of Memphis Art Education students to develop a collection of #dixonathome activities. This activity will guide young artists in creating a stained-glass name design inspired by the wonderful word art found in the St. John’s Bible exhibition.
https://athomeillinois.com/content/archive/artists-view/great-glass-fantastic-fx/
In its history, stained glass has been elevated to the realm of fine art. It makes sense, too, because the craft was — and still is — used in the decor of churches. There are windows that date back to 675 AD that are still in existence, so durability is obvious with stained glass, as well.
http://www.michiganstainedglass.org/month/month.php?month=11&year=2007
The Conrad Pickel Studio was founded in 1947 in Milwaukee, WI, by sculptor, painter and stained glass artist Conrad Pickel (1906-1994). Born in Germany, Pickel grew up in Munich, where he studied at the Art Academy and learned the art of stained glass as a young apprentice in the Franz Mayer Studio. He came to the United States in 1927.
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https://en.wikipedia.org/wiki/William_Burges_(architect)
William Burges ARA (/ ˈ b ɜː dʒ ɛ s /; 2 December 1827 – 20 April 1881) was an English architect and designer.Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England.
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