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https://artuk.org/discover/stories/how-john-piper-found-beauty-in-bombed-buildings
Sep 18, 2017 · The artist John Piper worked for both the War Artists Advisory Committee and Recording Britain, creating pictures that recorded some of the most significant ruins of the war and captured the distinctive visual power and beauty associated with the bombing at this time. The city of Coventry was targeted by the Luftwaffe in 1940 because of its strategic importance as a centre of …
https://www.tate.org.uk/art/artists/john-piper-1774
Piper was an official war artist in World War II and his wartime depictions of bomb-damaged churches and landmarks, most notably those of Coventry Cathedral, made Piper a household name and led to his work being acquired by several public collections.Estimated Reading Time: 2 mins
https://www.trinityhousepaintings.com/collection/artists/john-piper/
A versatile artist, Piper also wrote articles on art and architecture and designed stained glass windows for a number of buildings including the new Coventry Cathedral. At the outbreak of the Second World War, Piper was commissioned by the War Artists Advisory Committee to capture the effects of the war on the British landscape.
https://www.goldmarkart.com/john-piper/artist/john-piper
John Piper was born at Epsom in Surrey, 1903. Following his father’s wishes, he spent 5 years in the family law firm before pursuing art, firstly at Richmond School of Art and then at the Royal College of Art. In the 1930s Piper exhibited abstract pictures and constructions, then reverted to creating landscape and architectural images ...
https://www.artsy.net/artist/john-piper
After a career spanning the 20th century, British artist John Piper is recognized for his mastery in painting landscapes and architecture. During WWI, Piper was inspired by artists of the avant-garde like his friend Alexander Calder, though the conclusion of the war provoked a move to representational subjects and inclusion in the Seven and Five Society (dedicated to a “return to order” in ...Nationality: British
https://www.christies.com/en/lot/lot-6151820
John Piper, C.H. (1903-1992) Sea Buildings signed, inscribed and dated 'John Piper/Sea Buildings/1938.' (on the reverse) oil, pencil and ripolin on canvas laid on panel and partly cut out 12 x 16 in. (30.5 x 40.5 cm.)
https://www.fiftiesart.com/wp-content/uploads/2018/09/John-Piper-Catalogue-September-2018-Final.pdf
typical of John Piper yet they are carried out with deft confidence stemming from years of observing how buildings sit within their landscapes and understanding the key elements that make any building unique. Piper deliberately depicts a fluid sky to contrast, and thereby emphasise, the solidity of the church structure.
https://www.christies.com/en/lot/lot-6214915
On the advice of the War Artists’ Advisory Committee John Piper was, in April 1940, commissioned by the Ministry of Information to produce a collection of war-related works. After an initial struggle to find appropriate subject-matter, Kenneth Clark suggested that Piper might consider tackling buildings which had been damaged or destroyed by ...
https://www.invaluable.com/artist/piper-john-ddlyf4h64e/sold-at-auction-prices/
Estimate: £300 - £500 Description: John Piper (1903-1992) Babingley - Sepia Variation (Levinson 371) Screenprint in sepia, 1984, signed and numbered from the edition of 50 in pencil, on BFK Rives wove paper, printed at Kelpra Studio, London, published by Christie's Contemporary Art, London, with margins, image 445 x 595mm (17 3/4 x 23 3/8in) (framed) This lot is sold subject to Artists ...
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