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https://www.tate.org.uk/art/artists/john-piper-1774
John Piper. 1903–1992. Covehithe Church 1983. © The Piper Estate. License this image. Walk Through British Art: 1940. Modern Art and St Ives: Paris, London and St Ives 1920–1940. Prints and Drawings Rooms. Artworks.
http://www.john-piper-artworks.com/
John Piper (specifically John Egerton Christmas Piper) was born on December 13, 1903, in Epsom. After the death of his father in 1926, Piper was able to leave his late father's firm to apply to the Royal College of Art in South Kensington. Unfortunately he was rejected, as his skills in drawing nudes did not seem satisfactory.
https://artuk.org/discover/stories/how-john-piper-found-beauty-in-bombed-buildings
Sep 18, 2017 · The artist John Piper worked for both the War Artists Advisory Committee and Recording Britain, creating pictures that recorded some of the most significant ruins of the war and captured the distinctive visual power and beauty associated with the bombing at this time. The city of Coventry was targeted by the Luftwaffe in 1940 because of its strategic importance as a …
https://www.artsy.net/artist/john-piper
Biography. After a career spanning the 20th century, British artist John Piper is recognized for his mastery in painting landscapes and architecture. During WWI, Piper was inspired by artists of the avant-garde like his friend Alexander Calder, though the conclusion of the war provoked a move to representational subjects and inclusion in the Seven and Five Society (dedicated to a “return to order” …Nationality: British
https://www.theguardian.com/artanddesign/2017/nov/16/john-piper-review-tate-liverpool
Nov 16, 2017 · Piper, who was born in 1903 and soldiered on until 1992, was a contemporary of such European giants as Picasso, Matisse, Duchamp, Mondrian and Ernst. During the age of modernism in the first half...
https://www.youtube.com/watch?v=kBZ_3hWDAl4
Aug 03, 2016 · 1980's South Bank Show interview with British artist John Piper. Transfer from very old VHS tape, so apologies for quality.Author: Michael G. Clark
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