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Posted By Jonathan Rosenbaum on 12.08.06 at 11:21 AM. It’s interesting to see how some of the most difficult and challenging examples of art cinema have become increasingly popular over the past decade. Back in the 60s and 70s, Robert Bresson was virtually a laughing-stock figure to mainstream critics, and someone whose films ...
https://www.jonathanrosenbaum.net/2021/02/the-significance-of-sniggering/
His art, which combines the caricature of Hogarth with the lyrical self-diddling of Genet, is a dangerous, volatile mixture that eludes a precise moral agenda and any ordinary social use.
http://www.jonathanrosenbaum.net/2020/10/quick-change-artists/
According to Shawn Levy’s excellent biography King of Comedy: The Life and Art of Jerry Lewis, a sequel or remake has been in some sort of development purgatory for at least a dozen years, beginning as a sequel written by Lewis and Bill Richmond (who collaborated on the original) and turning into a Joe Piscopo vehicle with Lewis playing his ...
http://www.jonathanrosenbaum.net/2020/04/28495/
Jonathan Rosenbaum. Information. About; Publications; Events; Archives. Featured Texts; Notes; by Date ← The Player [EL MARIACHI] THE SAVAGE EYE and SHADOWS → A Few Words on Behalf of Uggie. Posted April 18, 2020. Okay, even though I’ve refused to place The Artist on any of my lists of end-of-the-year favorites, I’ve just finished ...
https://www.jonathanrosenbaum.net/2018/02/the-choice-between-art-and-life/
The equivalent scene in L’amour fou showed the theater director fully entering into the madness of his wife by collaborating with her in destroying their apartment — an act conceived and executed as a 60s “art gesture,” and an emblem of the artist despairingly choosing art over life.
https://www.jonathanrosenbaum.net/2021/02/dong/
From the February 3, 2006 Chicago Reader.–J.R. Chinese master Jia Zhang-ke (The World) made this 2006 documentary in conjunction with his superb drama Still Life, and one should make every effort to see them together.Dong shows artist and former actor Liu Xiaodong posing and painting male demolition workers in Three Gorges along the Yangtze River, where the world’s largest dam is being ...
https://jonathanrosenbaum.net/2021/02/the-director-s-cut/
Curiously, Godard accords the ultimate honor of achieving some sort of power through art to Alfred Hitchcock, “the greatest creator of forms of the 20th century,” who “became the only poète maudit to meet with success.” We may forget the plots and situations of his films, “but we remember a handbag . . . a bus in the desert . . . a ...
https://www.jonathanrosenbaum.net/2020/01/review-of-colin-maccabes-godard-a-portrait-of-the-artist-at-seventy-tk/
Godard: A Portrait of the Artist at Seventy . by Colin MacCabe. Filmography and picture research by Sally Shafto. New York, NY: Farrar, Straus and Giroux, 2003. 432 pp, illus. Hardcover: $25.00. This isn’t an authorized biography of Jean-Luc Godard.
http://www.charlottegeeks.com/artist-wallway-welcome-jonathan-rosenbaum/
Aug 24, 2017 · Who is Jonathan Rosenbaum? Jonathan Rosenbaum was born at an early age, and took to drawing soon after. At the age of four, he said he wanted to be either an elephant or an artist when he grew up. The elephant thing never worked out so instead he became an artist. He has served as Interactive Designer for Artizen Studio and as the Interactive Art Director at Wray Ward Laseter. He …
https://www.chicagoreader.com/chicago/acid-western/Content?oid=890861
By Jonathan Rosenbaum ... and has cultivated a hip, international art-house reputation by acting in the films of such friends as Alex Cox, Robert Frank, Raul Ruiz, and the Kaurismaki brothers ...
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