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https://americanart.si.edu/artist/joseph-stella-4624
Joseph Stella. Born in Italy, brought to New York City in 1896, visited Europe in later years. Artist who experimented with a variety of approaches (ranging from Futurism to classic idealism) and techniques (including oils, pastels, and collage.)Born: Jun 13, 1877
https://www.artsy.net/artist/joseph-stella
Joseph Stella painted in varied styles throughout his life but is perhaps best known for his expressive and emotional paintings of the Brooklyn Bridge. Stella's works are mostly abstract, combining thick sweeping gestures with dramatic perspectival recession. He is hailed as America's first Futurist artist, and also incorporated Cubist techniques and elements of an emerging symbolist movement in his work.Nationality: Italian-American
https://www.wikiart.org/en/joseph-stella
Joseph Stella (born Giuseppe Michele Stella, June 13, 1877 – November 5, 1946) was an Italian-born American Futurist painter best known for his depictions of industrial America, especially his images of the Brooklyn Bridge. He is also associated with the American Precisionist movement of the 1910s–1940s.Birth place: Muro Lucano, Italy
https://www.theartstory.org/artist/stella-joseph/
Joseph Stella's professional career left a lasting mark on American modernism, but it was just as fraught and unsteady as his personal life. Following the hugely influential 1913 Armory Show, he became a key figure in the New York art world.Nationality: American
http://www.artnet.com/artists/joseph-stella/
Joseph Stellawas an Italian-American painter, noted for his Futurist paintings depicting city architecture, religious themes, and modern culture. Born on June 13, 1877 in Muro Lucano, Italy, he moved to New York in early adulthood and began his artistic career.Nationality: American
https://whitney.org/artists/1281
Joseph Stella, 1877–1946. 21 works in the Whitney’s collection.
https://whitney.org/collection/works/2968
To Italian-born Joseph Stella, who immigrated to New York at the age of nineteen, New York City was a nexus of frenetic, form-shattering power. In the engineering marvel of the Brooklyn Bridge, which he first depicted in 1918 and returned to throughout his career, he found a contemporary technological monument that embodied the modern human spirit.
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