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https://www.megaplanet.com/
Josh Simpson, a deep space and cosmos - inspired glass artist uses ancient tools and techniques to create one of a kind handmade Planets, Platters, Bowls, Vases and Sculptures. Josh lives and works in the hills of Shelburne Falls, Massachusetts.
http://www.primaverafineart.com/josh-simpson/biography-josh-simpson/
Biography – Josh Simpson. Featured Work ... Thirty years into my career as a glass artist, I can look back and see the branching in the evolutionary family trees of my work. In the moment, when I am in my studio, I don’t think about where I’ve come from, I merely ask the next question of myself and the glass and move toward its answer. ...
https://www.cmog.org/bio/josh-simpson
Biography: Josh Simpson. Name. Josh Simpson. From his studio in the hills of western Massachusetts, Josh Simpson has been fascinated with glass for more than 45 years. An artist whose work has been shown in group and solo exhibitions around the world, his name is synonymous with the beautifully crafted planets he produces.
https://www.worthpoint.com/dictionary/p/glass/glass-united-states/josh-simpson-glass-artist
Josh Simpson is a well-known and accomplished artist within the glass blowing community. He is known for his paperweights and glass sculptures of planets. Simpson's blown glass has been including in every presidential collection since Jimmy Carter was in office. PBS made two documentaries, where he crafted the world's most gigantic paperweight.
https://www.artfulhome.com/artist/Josh-Simpson/2608
Josh Simpson received a BA from Hamilton College in Clinton, New York. He has shown his award-winning work around the USA and across the world, from New Mexico to The Netherlands, Iowa to Taiwan. His work can be found in notable public collections including the Corning Museum of Glass, the Renwick Gallery of the Smithsonian, and the Museum of Fine Arts, Boston.
https://purchase.megaplanet.com/default.asp
Learn More About Josh Simpson's Infinity Project " I sometimes wonder why glass has held my attention for almost 50 years. Is it the science, the color, the complexity, or just the ridiculous challenge of making anything at all from a 2,000-degree molten, uncooperative liquid?
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