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https://www.wikiart.org/en/joy-hester
Her curriculum was based in traditional media and practice, however Hester took the opportunity to break free from formal restraints. In 1938 Hester won the Gallery School’s Drawing Head from Life prize. Taking up classes at both the Design school, and Painting and Life school gave her early recognition.Birth place: Australia
https://fernartz.com/joy-hester/
Individually they developed their own unique styles and art practice. Joy experienced her most prolific time as an artist during this time. Joy participated in five group shows with the Contemporary Art Society and three solo exhibitions. The Reeds were wealthy, prominent art patrons who encouraged and financially supported many artists, throughout their lives; including Joy Hester and Gray Smith. They, with many others, forged the development of the Modern Art …
https://visual.artshub.com.au/news-article/features/visual-arts/victoria-carruthers/joy-hester-a-body-of-work-remembered-at-last-260691
Jul 07, 2020 · Joy Hester, John Reed with binoculars, Sunday Reed and Sidney Nolan holding Sweeney at the beach in 1945. Albert Tucker/State Library of Victoria Like most Australian artists of the 1940s and 1950s, Hester’s work was a reflection of the huge shifts in Australian culture as it emerged from the violence of war into a definite crisis of national ...Author: Victoria Carruthers
https://fineart.name/?bio&50
Joy and Gray returned to Victoria in 1948, living in the countryside around Melbourne at Hurstbridge. Hester held her first solo exhibition at the Melbourne Book Club Gallery in 1950. Individually Joy and Gray developed their own unique styles and art practice. Joy experienced her …
https://www.artgallery.nsw.gov.au/collection/artists/hester-joy/
Hester held three solo exhibitions in the early-to-mid 1950s, and exhibited regularly at the annual shows of the Contemporary Art Society, of which she was a foundation member. Between 1939 and 1958, she produced a considerable body of drawings made largely with ink and Chinese brushwork, embodied in Frightened c1945, a confronting frontal portrait that explores the extremes of human emotion and …
https://www.menziesartbrands.com/blog-post/48-joy-hester
The story of Joy Hester’s art and life is bound up in the mythology of Heide, and the personal complexities that underpinned astounding developments in Australian art and homegrown modernity that evolved at Heide around the mid-twentieth century. John and Sunday Reed purchased the property at Heide in 1934 and quickly opened their home to progressively minded, kindred spirits.
https://www.jhestergallery.net/
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