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https://artuk.org/discover/artists/wyndham-joyce
Discover artworks, explore venues and meet artists. Art UK is the online home for every public collection in the UK. Featuring over 200,000 oil paintings by some 38,000 artists.
https://en.wikipedia.org/wiki/Wyndham_Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was an English writer, painter, and critic. He was a co-founder of the Vorticist movement in art and edited BLAST, the literary magazine of the Vorticists.. His novels include Tarr (1918) and The Human Age trilogy, composed of The Childermass (1928), Monstre Gai (1955) and Malign Fiesta (1955). A fourth volume, titled The Trial of Man ...Education: Slade School of Fine Art, University College …
https://www.theartstory.org/artist/lewis-wyndham/life-and-legacy/
Wyndham Lewis's childhood, career, relationships, mature period, later life, biographical photos, and legacy. ... In socializing with modernist icons including Ezra Pound, T.S. Eliot, James Joyce and Virginia Woolf, ... "Wyndham Lewis Artist Overview and Analysis". [Internet]. .
https://www.wikiart.org/en/wyndham-lewis/
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was an English writer, painter and critic (he dropped the name "Percy", which he disliked). He was a co-founder of the Vorticist movement in art, and edited the literary magazine of the Vorticists, BLAST. His novels include his pre-World War I-era novel Tarr (set in Paris), and The Human ...Birth place: Amherst, Nova Scotia, Canada
https://www.theartstory.org/artist/lewis-wyndham/artworks/
Workshop. Workshop was an early Vorticist work representing the crowding towers and architecture of a city on the cusp of war. Bold geometric lines extend diagonally across the canvas, abstracting the blocks and walls of a growing London. Ladder-like planes and patterns of squares lead the eyes around the work, bringing them up towards the distant window of blue sky in the centre top, while a ...
https://www.jstor.org/stable/24780356
acquainting Budgen with people and events in the art world. On their first meeting Joyce initiated a conversation about the paintings of Wyndham Lewis. Unfortunately, Budgen did not know Lewis' work sufficiently well to talk about it. Some time later it was Joyce who gave Budgen a copy of Boccioni's Futurist Manifesto.
https://aquila.usm.edu/cgi/viewcontent.cgi?article=1237&context=honors_theses
Wyndham Lewis—who removed himself intellectually from the society of modern Europe, even the literati, in order to critique it in his art. Though hitherto nearly unexamined for the property of escapism, Joyce’s . A Portrait of the Artist as a Young Man. and . Ulysses, and Lewis’ “Enemy of the Stars” can be shown to exhibit tendencies
https://www.tate.org.uk/art/artworks/lewis-ezra-pound-n05042
Artwork page for ‘Ezra Pound’, Wyndham Lewis, 1939 In 1914 Wyndham Lewis and the American poet and critic Ezra Pound together promoted Vorticism, an avant-garde movement celebrating the machine age and the artist as a mystic, inventor, and organiser of forms. Both men were controversial writers. Their relationship was at times difficult: in the 1920s Lewis had been very critical of Pound's ...
https://core.ac.uk/display/301297084
There arose the idea that the artist should be removed from society so that he may more effectively critique and effect it in his art—that the artist should be an escapist figure. The development of the idea of escapism can be seen in James Joyce’s A Portrait of the Artist as a Young Man and Ulysses, and Wyndham Lewis’s Enemy of the Stars.
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