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https://www.artsy.net/artist/juan-carlos-romero
Latin American Art. ... (Argentina, Chile, Paraguay, Uruguay) Political +6 more. Sell art from your collection. Consign with Artsy. Get started. Career Highlights ... La imagen apropiada. Perla Benveniste, Carlo Boccardo, Elda Cerrato, Carlos Filomía, Héctor Médici, Miguel Melcon, Juan Carlos Romero , 1986. Contact for price. Works For Sale ...Nationality: Argentinian
http://www.waldengallery.com/juan-carlos-romero/
Artista decisivo en el desarrollo del conceptualismo en Argentina, la producción de Juan Carlos Romero atraviesa múltiples lenguajes y medios.En sus exploraciones artísticas, destaca su uso del grabado, la serigrafía, el dibujo, el collage, la poesía visual y la fotografía, así como otros procesos de impresión y apropiación sobre papel.
https://www.artland.com/artists/juan-carlos-romero
Born in 1931, Juan Carlos Romero was predominantly inspired by the 1950s. Abstract Expressionism, a form of painting that explored notions of spirituality and the sublime, dominated the 1950s. A number of artists focused on the formal properties of painting, and action painting was influenced by the political freedom of the United States, as opposed to the strict limitations of the Soviet bloc.
https://www.artbasel.com/catalog/artwork/91302/Juan-Carlos-Romero-Violencia
photographic print mounted on wood. 60.0 x 50.0 (cm) 23.6 x 19.7 (inch) The installation VIOLENCIA by Juan Carlos Romero is one of the most striking conceptual pieces of Latin American art. It was exhibited the first time in Buenos Aires in 1973, in a particularly intense period, with the ending of the dictatorship, intensification of guerrilla activity, and the Triple AAA (Argentine Anti-Communist Alliance) death squad.
https://www.artprice.com/artist/187460/juan-carlos-romero
Juan Carlos ROMERO (1931) (Argentina) is an artist born in 1931 Artprice.com's price levels for this artist are based on 2 auction results.
https://www.facebook.com/JCRomeroGuitarra/?__xts__%5B0%5D=68.ARCpXza524JmGr6fPZunhhYPuY8OvL3Q3PsFLNK4ieIOA7m6ixoNS7lf2SXf0zw6aEK5Ia-vjRdTTsmpPtNWQ4fHp7nSlt5HrKACLX_12u7UmzgD1i9WUKa-ATpPSbibszFOJHesmKiABA_P-YY0X2DwUVhFh6ZUkm8KlguyZsJ1l1rPjhUdwuNg5dMa3drobSGk7xVOwWzE2AOVcbgO8jOFxF_bb_xaKa7TMrVxoe8kJziZKBzfpe95PxNCftc0JAdRfqy1GDnpaZJmqFoA4cYbQTiWKyjTGeCZpQWJEgRRcikdvpIb-mKo4TGTwJ5sP3EQwmrXGTxjUSpfN_1JoIE
Juan Carlos Romero 22 hrs · El # Flamenco debe de ser atemporal, de ayer, de ahora y de siempre, y así surge ese equilibrio milagroso entre el estilo personal e inconfundible de cada intérprete y el gran río de la tradición, que no es de nadie y es de todos.
https://www.museoreinasofia.es/en/collection/artwork/violencia-violence
1/2. Category: Installation. Entry date: 2011. Register number: AD06406. Juan Carlos Romero begins his artistic work in abstract-geometric prints within the international current of kinetic art. Nevertheless, his intellectual interests steer him progressively towards graphic experimentation that views multiple embossing as a poetic-political tool for social agitation.
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