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Allan Kaprow Happenings+, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/kaprow-allan/
    Allan Kaprow was a pivotal figure in the shifting art world of the 1960s; his "happenings," a form of spontaneous, non-linear action, revolutionized the practice of Performance Art.Nationality: American

Allan Kaprow Artnet

    http://www.artnet.com/artists/allan-kaprow/
    Allan Kaprow was a pioneering American installation and performance artist known for his Happenings and his contributions to the Fluxus movement. Happenings, a form of performance art Kaprow created and theorized about, focused on audience engagement as an integral component of the work.Nationality: American

Allan Kaprow - 21 artworks - performance

    https://www.wikiart.org/en/allan-kaprow
    Allan Kaprow (August 23, 1927 – April 5, 2006) was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His …Birth place: Atlantic City/ New Jersey, United States

Allan Kaprow American artist Britannica

    https://www.britannica.com/biography/Allan-Kaprow
    Allan Kaprow, (born Aug. 23, 1927, Atlantic City, N.J., U.S.—died April 5, 2006, Encinitas, Calif.), American performance artist, theoretician, and instructor who invented the name Happening for his performances and who helped define the genre’s characteristics.

Allan Kaprow — Artists Hauser & Wirth

    https://www.hauserwirth.com/artists/2811-allan-kaprow
    Allan Kaprow With the invention of ‘Happenings’ and ‘Environments’, Allan Kaprow embarked upon a career of intellectually rigorous, site-specific, and timed works that defied commoditization and ultimately gave birth to performance and installation art.

A Brief History of Allan Kaprow’s “Happenings” in 1960s ...

    https://www.artsy.net/article/artsy-editorial-what-were-1960s-happenings-and-why-do-they-matter
    Mar 12, 2016 · Kaprow, an academic and artist, was widely considered the leader of the group. His Happenings were often the most boundary-pushing, placing viewers in positions of extreme unease, even fear—during “A Spring Happening,” members of the audience stood in narrow tunnels, exposed to rapidly flashing lights and eardrum-rattling sounds.

Art Which Can't Be Art - Kaprow - reading between

    http://www.readingbetween.org/artwhichcantbeart.pdf
    Alan Kaprow Art Which Can’t Be Art (1986) It’s fairly well known that for the last thirty years my main work as an artist has been lo-cated in activities and contexts that don’t suggest art in any way. Brushing my teeth, for example, in the morning when I’m barely awake; watching in the mirror the rhythm of my elbow moving up and down . . .

Yard, 1961 - Allan Kaprow - WikiArt.org

    https://www.wikiart.org/en/allan-kaprow/yard-1961
    Kaprow created Yard for Hauser & Wirth's opening New York show, Environment - Situations - Spaces. In this seminal work he recreated a junkyard, in the then Martha Jackson Gallery's backyard, creating an immersive environment with which the audience interacted.

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