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https://www.dragonfiregallery.com/karen-miller/
KAREN MILLER KAREN MILLER ARTIST STATEMENT I grew up in a home where both art and science were respected. My father was an organic chemist and my mother an artist, the daughter of one of the early naturalists in the Pacific Northwest.
https://www.gallerycalapooia.com/artists/karen-miller/
Katazome Artist Katazome allows me to separate the production of the image from the application of color, a process more akin to printmaking than to painting. The stencil itself is made from several layers of thin mulberry fiber paper, which have been laminated with persimmon juice and smoked, yielding an aromatic brown paper.
https://www.saqa.com/art/juried-artists/karen-miller
Artist Statement My process is primarily katazome, Japanese stencil dyeing, a process more like printmaking than painting. I began carving stencils using mostly traditional Japanese patterns, learning much about cutting techniques and the layout of the design.
https://www.oregonhomemagazine.com/profiles/item/890-karen-miller
A fading artform—the exquisite Japanese stencil dyeing known as katazome—is alive and well in Oregon, thanks to Karen Miller. The Corvallis, Ore., fabric artist creates stunning katazome textiles, such as Tide Pool 3 (right), but infuses her fabrics with distinctly Northwest imagery.
https://theartscenter.net/rosalie-lingo/
Karen Miller came from a family that had a lot of art in it; her mother was an artist, so she first chose to become a biologist. After her children were grown, she decided to take her hobby of quilting and crochet a step further. By coincidence she came across a course in a traditional technique of Katazome* the art of Japanese stencil dying.
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