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https://en.wikipedia.org/wiki/Koki_Tanaka
46 rows · Jan 13, 2007 · Koki Tanaka (田中 聖, Tanaka Kōki, born November 5, 1985) is a Japanese …
https://www.artsy.net/artist/koki-tanaka
Koki Tanaka uses locally sourced and quotidian objects to demonstrate alternatives to the everyday and explore the fortuities of choice. His process, deeply influenced by those of Peter Fischli and David Weiss, and Bruce Nauman, consists of periods of gathering and then assembling. In Tanaka’s own words: “the act of art is editing.”Nationality: Japanese
https://ocula.com/artists/koki-tanaka/
Koki Tanaka Biography. The artist mainly produces video and installation, many of which are developed site-specifically. He often deals with everyday commodities and surroundings, and recently has put more focus on everyday people’s behavior with his conceptual approach and subtle control, in order to create a visual sphere that challenges the mundane and the rational embedded in the minds ...
https://pen-online.com/arts/koki-tanaka-theories-of-behaviour-through-buckets/
Artist Koki Tanaka works mainly with video, with many of his early works using a looping technique. Born in 1975, he is often described as an artist of his generation. Growing up through the fallout of the economic crash, his practice, down to his choice of materials, is …
http://www.artnet.com/artists/koki-tanaka/
View Koki Tanaka’s artworks on artnet. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.Nationality: Japanese
https://artreview.com/april-2015-feature-koki-tanaka/
Jun 22, 2015 · Koki Tanaka Midori Matsui, an art critic, questioned why our generation doesn’t touch on ‘bigger’ issues or themes – the older generation, for example, was still struggling with the question: what is ‘Japanese’ art in a global age?
http://www.artasiapacific.com/Magazine/84/OutOfTheOrdinaryKokiTanaka
For this work, Tanaka used famous photographs of artworks to sketch milestones in the development of Japanese postwar art, charting an idiosyncratic course from Gutai, through Anti-Art and Non-Art of the 1960s and 1970s, Mono-ha, and, lastly, late 1970s Japanese video and photography.
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