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https://www.amazon.com/Artist-Critic-Bitextuality-Fin-Siecle/dp/1859281591
The Artist As Critic: Bitextuality in Fin-De-Siecle Illustrated Books (Nineteenth Century Series) 0th Edition by Lorraine Janzen Kooistra (Author)Cited by: 1
https://searchworks.stanford.edu/view/3081422
The artist as critic : bitextuality in fin-de-siècle illustrated books. Responsibility Lorraine Janzen Kooistra. Imprint Aldershot, England : Scolar Press ; Brookfield, Vt. : Ashgate Pub., 1995. Physical description 304 p. Available online At the library. Green Library. Find ...
https://www.semanticscholar.org/paper/The-Artist-as-Critic%3A-Bi-Textuality-in-Illustrated-Kooistra/0e5ab9db520b4d9facc9e4af68f5c4cc4f760f00
@inproceedings{Kooistra1992TheAA, title={The Artist as Critic: Bi-Textuality in Fin-De-Si{\`e}cle Illustrated Books}, author={Janzen Lorraine Kooistra}, year={1992} } Janzen Lorraine Kooistra Published 1992 Sociology Two texts, two hands, two looks contextual/bitextual - aesthetes, socialists ...
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Find many great new & used options and get the best deals for ARTIST AS CRITIC: BITEXTUALITY IN FIN-DE-SIECLE By Lorraine Janzen Kooistra at the best …
http://www.ohioswallow.com/author/Lorraine+Janzen+Kooistra
Lorraine Janzen Kooistra is the author of The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books and Christina Rossetti and Illustration: A Publishing History. She is co-editor of The Culture of Christina Rossetti: Female Poetics and Victorian Contexts and The Yellow Nineties Online. She teaches at Ryerson University, Toronto, Canada.
https://en.wikipedia.org/wiki/Lorraine_Janzen_Kooistra
John Peter Kooistra: Children: 2: Academic background; Education: BA., 1977, Brock University MA., PhD., McMaster University: Thesis: The artist as critic: bi-textuality in fin-de-si'ecle illustrated books. (1994) Academic work; Discipline: Literature: Institutions: Nipissing University Ryerson University: Main interests: Victorian poetry
https://editions.covecollective.org/edition/were-wolf/representing-fin-de-si%C3%A8cle-new-woman-and-aesthete
Although women did not necessarily identify with the term, the New Woman was a prominent figure of the late Victorian period (Richardson & Willis 1; Kooistra, Artist as Critic 109). Popularized by Sarah Grand in "The New Aspect of the Woman Question" (1894) and by Ouida in "The New Woman" (1894), the New Woman represented a growing demographic of women who saw no reason why they should be …
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