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http://radicalart.info/concept/weiner/
(1) The artist may construct the piece. (2) The piece may be fabricated. (3) The piece need not be built. Each being equal and consistent with the intent of artist, the decision as to condition rests with the receiver upon the occasion of receivership. Lawrence Weiner, 1968.
https://janestep.com/lawrence-weiner
The artist may construct the piece; The piece may be fabricated; The piece need not be built; Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership. –Lawrence Weiner, 1968 With this “Statement of Intent,”…
https://www.discogs.com/artist/204665-Lawrence-Weiner
Lawrence Weiner. Profile: American conceptual artist, born 10 February 1942 in the Bronx, New York, USA. His artistic statement of intent (1968) read: (1) The artist may construct the piece. (2) The piece may be fabricated. (3) The piece may not be built. As the work is the idea, and the implementation of the idea not Weiner's task, then each work discovers its voice upon installation, its audience …
https://www.britannica.com/biography/Lawrence-Weiner
Feb 06, 2021 · In his statement, Weiner asserted that a work of art could remain conceptual—in language form—or it could be created if so desired. The maker need not be an artist, and there was no “right way” to do it. Those three points guided Weiner’s work and egalitarian philosophy toward art making and art viewing throughout his career.
https://ropac.net/selected_works/lawrence-weiner
One of the founding figures of Conceptual art, Lawrence Weiner has worked primarily with language since the late 1960s. His work, typically set in a sans serif font, often refers to materials and constructions that enact a physical process. Although he does not consider his works site-specific, each piece forms a distinct relationship to its environment.
https://scaaic.org/event/lawrence-weiner/
Weiner articulated his aesthetic in clear, precise terms in his 1969 statement of intent “(1) The artist may construct the piece. (2) The piece may not be fabricated. (3) The piece may not be built [Each being equal and consistent with the intent of the artist, the decision as to condition rests with the receiver upon the occasion of receivership.]”
https://pomeranz-collection.com/?q=node/38
Since the end of the sixties, Lawrence Weiner, one of the major personalities of Conceptual art, has been exploring the capacities of language as a sculptural medium and as the primary vehicle for his work. In 1968, he expressed a founding “Statement of Intent”: “(1) The artist may construct the piece. (2) The piece may be fabricated.
https://www.kistefosmuseum.com/artists/lawrence-weiner
Earlier works tended to be more art-specific in a conceptual dialogue, whereas newer works are often more lyrical and playful, opening up and embellishing Weiner’s 1968 “declaration of intent”: 1 AN ARTIST MAY CONSTRUCT A WORK. 2 A WORK MAY BE FABRICATED. 3 A WORK …
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