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http://www.lealublin.com/
LEA LUBLIN. VOIR CLAIR MON FILS TERRENAUTES. FLUVIO SUBTUNAL DEDANS/DEHORS LE MUSEE. INTERROGATIONS SUR L'ART ARTEMISIA DISSOLUTION DANS L'EAU LE ZIZI DES PEINTRES. LA MEMOIRE DE L'HISTOIRE RENCONTRE. LA MEMOIRE DE L'ORDINATEUR LETTRES AIMANT LES MOTS PRESENT SUSPENDU AIMER TES HEROS DOCUMENTS …
https://hammer.ucla.edu/radical-women/artists/lea-lublin
The Argentine artist Lea Lublin was born in Poland in 1929. Her family immigrated to Buenos Aires when she was nine years old. She graduated from the Escuela Nacional de Bellas Artes Prilidiano Pueyrredón in Buenos Aires in 1949.
https://www.artsy.net/artist/lea-lublin
Lea Lublin. Bio b. 1929. Followers 24. Follow. following. Overview. Artworks. Notable Works. View all works. Skip to end of content Interrogations sur l'art. Italie (3), La main de Dante, 1977 ...
https://www.moma.org/artists/41804
Lea Lublin _Dedans le musée/Pénétration d'images _ ( In the Museum/Penetration of Images) 1971-1995. Show more results. Last ». Licensing. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases ...
http://www.lealublin.com/biographie/
« Lea Lublin » in Info Artitudes (Paris), novembre 1977. Jean-Pierre Bordas, « Lea Lublin », in Flash Art, édition française, octobre 1983. Maïten Bouisset, « Artemisia mot pour mot » in Le Matin (Paris), 2 janvier 1980. « Lea Lublin », Beaux-Arts Magazine, n°92 (Paris), juillet/août 1991.
https://www.frieze.com/article/lea-lublin
Lublin, an Argentinian-French artist (1929–99) versed in the psychoanalytic theory of Jacques Lacan, followed a different strategy, one that focused on the logic of representation itself, and on the social and medial constitution of its (sexual) codes. This retrospective presents for the first time the wide gamut of Lublin’s intermedial practice.
https://hammer.ucla.edu/radical-women/art/art/mon-fils-my-son
Lea Lublin's art, which emerged in the context of the experimental Instituto Torcuato Di Tella in Buenos Aires, is tied to performance in both public and private or intimate spaces. Mon fils, one of the artist's first performances, took place at the Musée d'Art Moderne de la Ville de Paris during the Salon de Mai. In it, the artist cared for her seven-month-old son, Nicolas, in the museum space, thus turning motherhood …
https://icaa.mfah.org/s/en/item/766873
The Argentinean conceptual artist Lea Lublin describes her work Fluvio Subtunal [Sub-Tunnel Flow] (1969), created from a concept stemming from the opposition between nature and technology. The work consists of a walkthrough through nine zones of environments, or settings, which provide different stimuli provoked by the artist: the source, the winds zone, the technological zone, the production ...
https://trendcelebnow.com/lea-lublin-net-worth/
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