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https://www.theartstory.org/artist/bontecou-lee/
Summary of Lee Bontecou The intricately constructed black holes, or voids, in Lee Bontecou's most famous pieces don't seem to belong to any type of art previously produced - painting or sculpture. These voids seem to connect to ulterior dimensions. Her work immediately calls to mind the alien worlds of science fiction and fantasy films and novels.Nationality: American
https://www.smithsonianmag.com/arts-culture/lee-bontecous-brave-new-world-180940689/
Sep 01, 2004 · Bontecou was using new imagery to make a statement as old as art itself, about what she calls “the wonders and horrors” of nature, technology and the …Author: Paul Trachtman
https://www.moma.org/artists/670
Oct 21, 2019 · Lee Bontecou (born January 15, 1931 in Providence, Rhode Island) is an American sculptor and printmaker and a pioneer figure in the New York art world. She kept her work consistently in a recognizable style, and received broad recognition in the 1960s.
https://en.wikipedia.org/wiki/Lee_Bontecou
From Wikipedia, the free encyclopedia Lee Bontecou (born January 15, 1931 in Providence, Rhode Island) is an American sculptor and printmaker and a pioneer figure in the New York art world. She kept her work consistently in a recognizable style, and received broad recognition in the 1960s.Awards: Fulbright scholarship, Rome 1957-1958; …
https://hammer.ucla.edu/exhibitions/2003/lee-bontecou
Oct 05, 2003 · Lee Bontecou: A Retrospective is the most comprehensive exhibition ever assembled of this influential 20th century American artist—one of the few women artists to …
https://www.latimes.com/archives/la-xpm-2003-oct-04-et-jalon4-story.html
Oct 04, 2003 · A bitter controversy has erupted behind the scenes of a much-anticipated retrospective of artist Lee Bontecou at the UCLA Hammer Museum, pitting the artist and her husband against a …
https://www.moma.org/collection/works/81442
Although Bontecou rarely comments on her art, in a statement that accompanied a 1963 MoMA exhibition featuring this work, she wrote, "My concern is to build things that express our relation to this country—to other countries—to this world—to other worlds—to glimpse some of the fear, hope, ugliness, beauty and mystery that exists in us ...
https://www.jstor.org/stable/pdfplus/25152258
Lee Bontecou, Untitled Can there be an art that is in no way symbolic? If these [minimalist works] are only statements of a conceptual, mathematical based problem, are they significant?-Dore Ashton To glimpse some of the fear, hope, ugliness, beauty and mystery that exists in us all . . . The individual
https://michaelrosenfeldart.com/artists/lee-bontecou-b1931
Born in 1931, Lee Bontecou grew up in Providence, Rhode Island, where, during World War II, her mother worked in a factory wiring submarine parts. This memory, together with reports she heard about the war and the Holocaust, had a profound effect on Bontecou’s childhood consciousness.
http://www.browsebiography.com/bio-lee_bontecou.html
Considered one of the most important, original sculptors of her generation, Dodie Lee Bontecou Kazanjian described Bontecou's art in Vogue : "Her work is sui generis, entirely her own in its constant oscillation between abstract and figurative, toughness and lyricism, the intimate and the infinite, the natural world and the world of her imagination."
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