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https://www.amazon.com/Hawthorne-artist-Fine-art-devices-fiction/dp/B0007DS3SQ
Hawthorne, the artist;: Fine-art devices in fiction [Schubert, Leland] on Amazon.com. *FREE* shipping on qualifying offers. Hawthorne, the artist;: Fine-art devices in fictionAuthor: Leland Schubert
https://www.jstor.org/stable/27713809
HAWTHORNE'S MIND AND ART IN "THE HOLLOW OF THE THREE HILLS" Clinton S. Burhans, Jr., Michigan State University For a number of reasons, Hawthorne's "The Hollow of the Three Hills" deserves a fuller measure of attention than it has so far received. One of his earliest stories, it appeared in the Salem Gazette on Novem ber 12, 1830.
https://www.jstor.org/stable/2922339
4 Leland Schubert, Hawthorne the Artist (Chapel Hill, 1944), pp. 137-140. 5 Hester does not actually change interiorly during the course of the novel. Outwardly she seems to change: she adjusts to her social ostracism and she appears to be repentant. Inwardly, however, she is not repentant, as we see in her bold instigation of Dimmesdale
https://www.coursehero.com/file/pcftqa9/The-middle-chapter-number-12-tends-to-divide-the-story-into-two-parts-or-three/
i Leland Schubert, Hawthorne, the Artist: Fine-Art Devices in Fiction (Chapel Hill: University of North Carolina Press, 1944), 138. You've reached the end of your free preview. Want to read all 4 pages?
https://www.jstor.org/stable/i215331
Hawthorne, the Artist: Fine-Art Devices in Fiction by Leland Schubert (pp. 265-268)
https://www.jstor.org/stable/40753594
3 Leland Schubert, Hawthorne, the Artist (Chapel Hill, N. C, 1944), pp. 138-139. For other examples of the fragmentation of The Scarlet Letter see George E. Woodberry, Nathaniel Hawthorne (Boston and New York, 1902), pp. 189-205;
https://link.springer.com/chapter/10.1007/978-94-011-9471-6_2
Abstract “Egotism, Or The Bosom Serpent” may be set over against Franz Kafka’s The Metamorphosis in this regard: that both works profess to be symbolic in technique, and that both appear concerned with a kind of perverted totemism. The effect of drawing the comparison, with respect to technique, is to throw some light upon a perplexing side of Hawthorne’s art, about which a great deal ...
https://www.deepdyve.com/lp/de-gruyter/hawthorne-s-the-custom-house-and-the-problem-of-point-of-view-in-QKa1V0pCOh
Leland Schubert, Hawthorne, the Artist (Chapel Hill, N. C., 1944) recognizes "a kind of frame" for The Scarlet Letter, which is comprised by "The Custom-House" and the last chapter "Conclusion". URSULA BRUMM historical fiction.
https://www.jstor.org/stable/i217718
Hawthorne, the Artist: Fine-Art Devices in Fiction by Leland Schubert (pp. 73-75)
https://www.thefreelibrary.com/Hawthorne+and+the+%22old+Dutch+wizards%22%3a+matter+and+spirit+in+The...-a0379979193
Mar 22, 2013 · Leland Schubert's Hawthorne, the Artist (1944), Millicent Bell's Hawthornes View of the Artist (1962) and Rita Gollin and John Idol's Prophetic Pictures (1991) show respectively that Hawthorne developed a painterly style, seriously and critically considered the role of the artist in society and was a serious student of both Northern and Southern European art.
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