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https://art21.org/artist/leonardo-drew/
Leonardo Drew Leonardo Drew was born in Tallahassee, Florida in 1961, and grew up in Bridgeport, Connecticut.
http://www.artnet.com/artists/leonardo-drew/
Leonardo Drew is an American artist known for his abstract sculptural works made from the manipulation and modification of raw materials. Mimicking found objects altered by the passage of time, he simulates oxidation, weathering, decay, and other processes to transform …Nationality: American
https://ocula.com/artists/leonardo-drew/
Leonardo Drew was born in 1961 in Tallahassee, Florida, and he grew up in Bridgeport, Connecticut. Drew seemed bound to work as a professional artist from a young age; his works were exhibited publically for the first time when he was only 13 years old. By the age of 15 he was being courted by both DC and Marvel Comics to work as an illustrator.
https://fac.umass.edu/UMCA/Online/default.asp?BOparam::WScontent::loadArticle::permalink=LeonardoDrew&BOparam::WScontent::loadArticle::context_id=
Leonardo Drew was born in 1961 in Tallahassee, FL, and grew up in Bridgeport, CT. His talent and passion for art was recognized at an early age, and first exhibited his work at the age of 13. He attended the Parsons School of Design and received his BFA from the Cooper Union for the Advancement of Science and Art in 1985.
https://www.denverartmuseum.org/en/blog/qa-artist-leonardo-drew
Leonardo Drew recently gave a talk at the Denver Art Museum as part of the Logan Lecture Series. Known for creating large-scale sculptures and multi-media works on paper that explore his interest in the cyclical nature of creation, decay, and regeneration, Drew has created a unique style and technique.
https://www.galerielelong.com/exhibitions/leonardo-drew
Galerie Lelong & Co. is pleased to present Brooklyn-based artist Leonardo Drew’s first solo exhibition with the gallery. For the past 30 years, Drew has transformed varied new materials into expressive assemblage, often distressing raw ingredients to evoke the passage of time.
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