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Writing – Lesley Dumbrell

    https://www.lesleydumbrell.com/home-page/writing
    The most striking demonstration of this can be found in Lesley Dumbrell’s watercolours. No artist of her generation has been a more committed and thoroughgoing abstract painter. Ever since she emerged as a distinctive artist in the late 1960’s, her work has had the impersonal exhilaration found in the best abstraction of recent years.

CV – Lesley Dumbrell

    https://www.lesleydumbrell.com/home-page/cv
    1941 Born Melbourne, Australia. EDUCATION. 1959 – 62 Diploma of Art (Painting), Royal Melbourne Institute of Technology, Melbourne. 1966 – 68 Taught in Art Department, Royal Melbourne Institute of Technology, Melbourne. 1977 Artist in Residence, Monash University, Melbourne.

Lesley Dumbrell - National Gallery of Australia - Home

    https://nga.gov.au/knowmyname/artists.cfm?artistirn=19498
    Lesley Dumbrell is known for paintings characterised by vivid colour, light and movement. Born in Melbourne in 1941, she studied painting, printmaking and sculpture at RMIT from 1959 to 1961.

Spangle, 1977 by Lesley Dumbrell :: The Collection :: Art ...

    https://www.artgallery.nsw.gov.au/collection/works/2.1979/
    Following a strong, figurative training at the Royal Melbourne Institute of Technology, Lesley Dumbrell began teaching there in 1966, and met the American colour-field painter, James Doolin. Through Doolin she was introduced to the new medium of acrylic paint. During this period, Dumbrell also began her investigations into the work of Bridget Riley and Jesús Rafael Soto, key members of the international …

Lesley Dumbrell. 1941-. Australia - Prices of Art at Auction

    https://www.aasd.com.au/artist/1546-lesley-dumbrell/
    Born in Melbourne in 1941, Lesley Dumbrell studied at the Royal Melbourne Institute of Technology and at Monash University. She is married to the sculptor, Lenton Parr. Known for her abstract and colour paintings, she has exhibited widely throughout Australia since 1969, and has had a number of commissions to design tapestries for institutions such as the Australian High Court.

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