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https://www.atariarchives.org/artist/sec31.php
LILLIAN SCHWARTZ "The art of any period is the result of the background factors of that age plus the personalities of its creative artists."—Bernard Myers ..Modern Art In The Making. I, Lillian Schwartz, (1927-...) am a native of Cincinnati, Ohio and a graduate of the College of Nursing & Health of the University of Cincinnati.
https://en.wikipedia.org/wiki/Lillian_Schwartz
Jul 25, 2005 · Lillian F. Schwartz (born 1927) is a 20th-century American artist considered a pioneer of computer-mediated art and one of the first artists notable for basing almost her entire oeuvre on computational media. Many of her ground-breaking projects were done in the 1960s and 1970s, well before the desktop computer revolution made computer hardware and software widely available to artists.
http://lillian.com/biography/
Biography. Lillian Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality and Multimedia. Her work was recognized for its aesthetic success and was the first in this medium to be acquired by The Museum of Modern Art.
http://lillian.com/selected-group-shows/
Computer & Art, curated by Vera Molnar. La Rochelle, France. 1982: Light Color, Movement and Time: Aspects of the Avant-Garde Film, “The Academy of Motion Picture Arts and Sciences and The Academy Foundation”. Academy Little Theater, Beverly Hills., CA. Lillian Schwartz, “The …
http://lillian.com/page/14/?author=0
Her contributions in starting a new field of endeavor in the arts, art analysis, and the field of virtual reality have been recently awarded Computer-World Smithsonian Awards. Schwartz began her computer art career as an offshoot of her merger of art and technology, which culminated in the selection of her kinetic sculpture, Proxima Centauri, by The Museum of Modern Art for its epoch-making 1968 Machine …
https://www.amazon.com/Computer-Artists-Handbook-Techniques-Applications/dp/0393027953
by Lillian F. Schwartz (Author), Laurens R. Schwartz (Author) 3.8 out of 5 stars 4 ratings An artist's guide to using the computer most effectively as a tool offers readers a conceptual, hands-on approach to drawing, animation, sculpture, special effects, and film on the PC.Reviews: 4
http://lillian.com/solo-exhibitions/
New York–based artist Lillian Schwartz (b. 1927) became a pioneer of computer-generated art in the late 1960s while a resident at Bell Laboratories, where she continued working as an artist, filmmaker, and art historian for over three decades. She was among the first American artists to employ computer language to create motion-graphics-based
http://lillian.com/lectures/
The 85-year-old Schwartz will be present at the screening to introduce her work: New York–based artist Lillian Schwartz (b. 1927) became a pioneer of computer-generated art in the late 1960s while a resident at Bell Laboratories, where she continued working as an artist, …
https://ohiostate.pressbooks.pub/graphicshistory/chapter/9-5-lillian-schwartz/
Lillian Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality and Multimedia. Her work was recognized for its aesthetic success and was the first in this medium to be acquired by The Museum of Modern Art.
https://www.artforum.com/print/201608/painting-by-numbers-the-art-of-lillian-schwartz-63453
Jul 11, 2013 · Schwartz completed the painted portion of Pixillation at her home studio (which was newly equipped with a Moviola and was the site of all of her film editing for decades to come). 29 By 1971, when AT&T commissioned her second film, UFOs (1971), Schwartz “was emotionally prepared to give up the hand-painted images and created this film entirely with computer images.” 30 As technology …
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