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https://art21.org/artist/liz-larner/
Liz Larner was born in Sacramento, California in 1960. She experiments with abstract sculptural forms in a dizzying array of materials, including polychromatic ceramics that evoke the tectonic geologic shifts of the western landscape. An inventor of new forms, Larner’s sculptures are not easy to categorize.
https://www.the-artists.org/liz-larner/
Biography and art, auction, artworks, interview, statement, website: Liz Larner. Liz Larner's work, which ranges from diminutive objects to large-scale installations, reconfigures the traditional roles that form and color have played in the practice of formalist sculpture… Liz Larner
https://americanart.si.edu/artist/liz-larner-27895
LIZ LARNER: I made “Bird in Space” about 30 years ago. The sculpture is made mostly of nylon cord – trying to create as much lightness as possible that it kind of appears and disappears. It’s very present at some points, and it just goes away. I’m Liz Larner. I’m here at the Smithsonian American Art Museum.
https://www.phaidon.com/agenda/art/articles/2018/january/15/liz-larner-why-i-create/
Jan 15, 2018 · Liz Larner - Why I Create Exploring the inspirations and attitudes of artists working with clay and ceramic, featured in Vitamin C Liz Larner explores the properties and potential of sculpture in a variety of materials and techniques, but ceramics have perhaps offered her the most consistent and fecund area of investigation over the last twenty years.
https://www.themoderninstitute.com/artists/liz-larner/about/
2016: Liz Larner, Karma, Regen Projects, The Modern Institute, and Galerie Max Hetzler Liz Larner, Holzwarth Publications, Berlin Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Skira Rizzoli, Milan 2015: Regen Projects 25, Prestel, New York Whitney Museum of Art: Handbook of the Collection, Whitney Museum of American Art, New York 2014
https://www.artsy.net/artist/liz-larner
Liz Larner’s geometric sculptures explore the fundamental qualities of formalist sculpture: volume and mass, line and substance, and the potential of positive and negative space. Her virtuosic works include 2001 (2001), a public installation that fused a cube and a sphere in a massive, glossy form; RWBs (2005), which she presented at the 2006 Whitney Biennial, was a messy tangle of red, white, and blue …Nationality: American
https://www.regenprojects.com/artists/liz-larner
Jun 22, 2019 · Installation view of Liz Larner. As Below, So Above. Regen Projects, Los Angeles. May 17 – June 22, 2019. ii (calefaction subduction) 2019. Ceramic, glaze, stones, and minerals. 20 1/2 x 30 x 13 inches (52.1 x 76.2 x 33 cm) Distomunge.
https://en.wikipedia.org/wiki/Liz_Larner
Larner's work is regarded to have much in common with the late 1960s and early 1970s sculptures of Eva Hesse and Jackie Winsor. [4] In her early work, Larner examined issues of transformation and decay in a series of petri dish cultures that she also photographed. [2]
https://www.maxhetzler.com/artists/liz-larner
Jun 03, 2017 · Liz Larner. Since the 1980's, Liz Larner (b. 1960) explores and extends the conditions and possibilities of sculpture. Her works are informed by the relationship between object, viewer and their surroundings as well as a deep interest in manifold materials and their particular qualities. Here, the artist puts a focus on the changes and symptoms of decay that certain materials undergo in the course of time.
https://www.publicartfund.org/exhibitions/view/2001/
Nov 29, 2006 · Liz Larner’s 2001 is a virtuoso reinterpretation of the two quintessential geometric forms of modernist sculpture—the sphere and the cube. It represents six different points of progression between these two shapes, all superimposed on one common center point to create a multifaceted three-dimensional object. Twelve feet high, deep and wide, and painted in green and purple iridescent …
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