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Lorrice Douglas

    https://www.lorricedouglas.com/
    Bureau. Time-based installation, The Foundling Museum . Curated by Gill Hedley, RSVP Catalogue, Commissions East Film, 07:10 mins, Art as Research Exhibition, Figurations of Knowledge, Society for Literature, Science and the Arts (SLSA), Berlin Curated by Florian Dombois

About — Lorrice Douglas

    https://www.lorricedouglas.com/about
    Lorrice Douglas Lorrice Douglas uses installation, photography, sound and written texts to create discreet or fleeting one act plays. Her practice engages with the historical, the archival and the fictional and the way the ambiguities of these works are experienced by the viewing subject.

Lorrice Douglas – Artsadmin

    https://www.artsadmin.co.uk/profiles/lorrice-douglas/
    Lorrice Douglas produces work as if researching for a film or a novel, using a range of media including archive, installation and photography to construct or present a scene. She gained a Masters degree in Fine Art at the Slade and went on to participate on de Ateliers studio programme in Amsterdam. The scene being staged in Lorrice Douglas’ exhibition, The Gatehouse, references the attic room in which Douglas occupied as BCA’s residency artist …

Residencies — Lorrice Douglas

    https://www.lorricedouglas.com/residencies
    Lorrice Douglas Lanternhouse Residency, South Lakes. Research on the Social Landscape of Cumbrian Poet Norman Nicholson, in collaboration with Dot Queen ... Beacon Art Project, 2014/15. Metal Culture Lab, 2013. Lanternhouse, 2010/11. Artsadmin Associate Artist, 2007/11. BCA Gallery, 2008/09. Peckover House, The National Trust. Former Quaker ...

The Gatehouse, Lorrice Douglas - Bedford Creative Arts

    http://bedfordcreativearts.org.uk/the-gatehouse-lorrice-douglas/
    Lorrice Douglas produces work as if researching for a film or a novel, using a range of media including archive, installation and photography to construct or present a scene. The scene being staged in ‘The Gatehouse’ references the attic room that Douglas occupied as BCA’s resident artist in 2007. This piece is typical of Douglas’s

The Value of Fragments Lorrice Douglas

    https://www.gillhedley.co.uk/pdf/Lorrice-Douglas.pdf
    Lorrice Douglas is an artist and researcher at Chelsea College of Art, University of the Arts London. She will be giving a talk on her recent residency at the British School at Athens, raising the particularities of entering the archaeological scholarly community as an artist …

Exhibition preview: Lorrice Douglas: The Gatehouse ...

    https://www.theguardian.com/artanddesign/2008/nov/29/lorrice-douglas-the-gatehouse-bedford
    Nov 28, 2008 · Bedford Creative Arts, to Jan 17. Lorrice Douglas's installation The Gatehouse sets an attic room scene, but the implied gatehouse-keeper protagonist appears to have long departed.

Lorrice Douglas at Grizedale Arts Transartists

    https://www.transartists.org/article/lorrice-douglas-grizedale
    Lorrice Douglas at Grizedale Arts. Lorrice Douglas was invited by Grizedale Arts , Cumbria UK in 2001/2002. What specific challenge did Grizedale give you? "I was invited to Grizedale rather than actively seeking a residency. It was my first experience of a residency situation and I didn't arrive with a project proposal.

British School at Athens : Lorrice Douglas, “The Value of ...

    https://www.bsa.ac.uk/events/lorrice-douglas-the-value-of-fragments-2/
    Dec 07, 2018 · Lorrice Douglas (Chelsea College of Art / BSA Arts Bursary 2017-18), “The value of fragments” Lorrice Douglas is an artist and researcher at Chelsea College of Art, University of the Arts London. She will be giving a talk on her recent residency at the British School at Athens, raising the particularities of entering the archaeological scholarly community as an artist and how those two …

British School at Athens : Lorrice Douglas, “The Value of ...

    https://www.bsa.ac.uk/events/lorrice-douglas-the-value-of-fragments/
    Lorrice is an artist and researcher at Chelsea College of Art, University of the Arts London. She will be talking about her recent residency at the British School at Athens, raising the particularities of entering the archaeological scholarly community as an artist and how those two worlds meet: ‘I am surrounded by specialists in ‘the past’, literally at every turn.

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