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https://www.moma.org/collection/works/81418
By layering latex over plaster, Bourgeois achieved a fleshy, tactile texture in this hanging sculpture. While it most obviously represents a phallus, the work can also be seen as a female torso, as the title suggests; in this reading, the two round forms are the tops of two legs, attaching to their hip joints.
https://www.tate.org.uk/art/artworks/bourgeois-fillette-sweeter-version-l02885
Artwork page for ‘Fillette (Sweeter Version)’, Louise Bourgeois, 1968–99, cast 2001 The title of this phallic sculpture means ‘little girl’, an ironic and unsettling disconnect between word and object. Bourgeois has talked about this work in relation to her experiences as a wife and a mother to three boys. This led her to see masculinity as far more vulnerable than she had imagined.
http://www.artnet.com/magazineus/features/saltz/the-heroic-louise-bourgeois6-4-10_detail.asp?picnum=1
Robert Mapplethorpe’s iconic 1982 portrait of Louise Bourgeois, who died recently at 98, speaks volumes about Bourgeois’ free-spiritedness, grace, tenacity and the kinky perversity of her work.
https://baudrillardstudies.ubishops.ca/louise-bourgeois/
Mapplethorpe’s photograph of Bourgeois holding Fillette shows the sculptor herself as a sculptured work of time taking possession of the phallus (which she had created). Against tidal waves of abstract expression she persevered from within the heartland of its promotional apparatus – …
https://npg.si.edu/object/npg_NPG.2002.215
Haunted by painful childhood memories of her father’s serial infidelities and her mother’s long struggle with a fatal illness, Louise Bourgeois used art as a means of working through personal trauma while exploring universal themes, such as motherhood, female identity, the body, and sexuality.
https://www.tate.org.uk/art/artworks/robert-louise-bourgeois-ar00215
Summary In this black and white portrait photograph the French-American artist Louise Bourgeois (1911–2010) stands slightly to the right of the frame against a plain grey background. She is shown from her waist up with her body in three quarter profile, and her face turned towards the camera.
https://www.nationalgalleries.org/art-and-artists/90680/louise-bourgeois
About this artwork Louise Bourgeois was a French-born, American artist who began making surrealist-inspired paintings and prints, but turned to sculpture in the late 1940s. Her sculptures, often but not always abstract, have strong allusions to the human body and especially to human sexuality.
https://www.jstor.org/stable/pdf/1360634.pdf
Cole (ed.), Louise Bourgeois (Museum of Modern Art: Oxford, 1996), pp. 31-6. Rosalind Krauss' 1989 article 'Louise Bourgeois: Portrait of the Artist as Fillette', in Bachelors (The MIT Press: Cambridge, MA, and London, 1999), pp. 51-74, also makes a strong case against easy autobiographical readings of Bourgeois' work
https://elephant.art/iotd/herlinde-koelbl-louise-bourgeois-2001/
2 days ago · A definite weekend mood à la Louise Bourgeois. This brilliant portrait of the revered French-American artist was taken by German photographer Herlinde Koelbl in New York in 2001. “Louise Bourgeois was an impressive personality and a great artist,” Koelbl has since recalled. “She was a very strict lady… everyone had such respect for her.
https://www.artspace.com/magazine/interviews_features/book_report/louise-bourgeois-phaidon-folio-54962
This month, the artists ouvre of printed work makes a posthumous return to the MoMa in Louise Bourgeois: An Unfolding Portrait. Bringing together some 220 works, the exhibition celebrates the museum’s archive of Bourgeois prints and displays them in …
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