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https://www.patheos.com/blogs/mmw/2008/01/portrait-of-a-lady-paintings-by-makan-emadi-2/
Jan 29, 2008 · On my post yesterday, I touched on veil fetish art. While researching, I came upon artist Makan “Max” Emadi, whose series “Islamic Erotica” touches upon some very similar points. His ...Author: Muslimah Media Watch
http://www.muslimahmediawatch.org/2008/01/29/portrait-of-a-lady-paintings-by-makan-emadi-2/
Jan 29, 2008 · On my post yesterday, I touched on veil fetish art. While researching, I came upon artist Makan “Max” Emadi, whose series “Islamic Erotica” touches upon some very similar points. His paintings highlight the alternate concealment and exposure of Muslim women’s bodies and put …
https://www.thedailybeast.com/the-rise-of-islamo-erotica
Mar 26, 2010 · Makan Emadi One of Hanan Tabbara’s most provocative sketches is a charcoal and pastel drawing of blood pouring out of a woman’s vagina. She made it …Author: Betwa Sharma
https://www.salon.com/2008/02/01/veil_art/
Feb 01, 2008 · The veil meets American pinup art Artist Makan Emadi talks about his controversial "Islamic Erotica" series. By Tracy Clark-Flory February 2, 2008 12:40AM (UTC)- …
https://maxemadiarikiart.blogspot.com/2007/06/islamic-calendar-girl-paintings.htm
Makan (Max) Emadi's recent art always packs a punch or pokes a stick at some political figure or cultural standard. Max's "Islamic Calendar Girl" series is a provocative view of the image of Islamic women and traditional Islamic dress.Other works of political art by Max, including a painting of President George W Bush nude, can be seen in his Terrorists and Freedom Fighters series.
https://myartspace-blog.blogspot.com/2007/01/art-space-talk-makan-emadi.html
I recently interviewed artist Makan Emadi. Mr. Emadi emigrated with his family from Iran in 1979 at the age of fourteen. Since those early years his work has expanded. Makan embraces the political and cultural questions of our time with his art. Makan's art has caught the eye of art observers.
https://www.academia.edu/8288531/Body_Talk_and_the_Limits_of_Islamic_Erotica_Part_2_The_Artist_
Although the object of their discussions concern a variety of artists who, together, make up the phenomenon called “Islamic Erotica,” the central figure is Makan Emadi. Intrigued by his work, I visited the artist’s website to read more about his vision of Islamic Erotica.
https://maxemadiarikiart.blogspot.com/2007/
Max Emadi recently completed an interview for “Khoolagan” a Russian art, fashion, trends and life-style magazine. The interview will be published in Russian in an upcoming edition. Here is the full text of the interview in English provided for publication on ArikiArt by Max Emadi.
http://blog.ocad.ca/wordpress/lbst1b06-fw2010-01/tag/makan-emadi/?doing_wp_cron=1445586712.1401979923248291015625
Example: Makan Emadi, Islamic Erotica. Read about it here. Makan Emadi, God is Great, 2006. Why do we study visual culture? Because we (as artists and designers) make it! How do images make meaning? How do viewers make meaning? What is the role that images play in our culture? How do we negotiate so many images each day?
https://aroundtheworld4u.blogspot.com/2010/04/fine-art-of-sexism-islamic-erotica.html
I was hit by a case of déjà vu when reading two recent articles discussing the work of Makan Emadi, which MMW has discussed before. In a piece posted at the Daily Beast, Betwa Sharma boldly claims that Makan’s work is part of a rise in “Islamic Erotica.”Sharma says that Muslim artists are depicting Muslim women as pin-ups.
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