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https://www.tate.org.uk/art/art-terms/f/flaneur
Tate Baudelaire identified the flâneur in his essay The Painter of Modern Life (1863) as the dilettante observer. The flâneur carried a set of rich associations: the man of leisure, the idler, the urban explorer, the connoisseur of the street. Such a figure can be seen featured in many impressionist paintings.
https://www.jstor.org/stable/40551933
To encounter Manet's paintings is to perceive visually as Baudelaire's flâneur. The evocative confrontation with the spectator creates the shock of the unexpected described in the Lola quatrain. The means by which Manet achieves this encounter and produces the flâneur 's sensa-tions in the viewer are closely related to major Baudelairean crowd themes.
https://mlgroves.com/baudelaire-a-portrait-of-a-flaneur/
Feb 01, 2013 · Charles Baudelaire offered a memorable portrait of the flâneur as an artist-poet: “The crowd is his element, as the air is that of birds and water of fishes. His passion and his profession are to become one flesh with the crowd. For the perfect flâneur, for the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in ...
https://www.artic.edu/articles/756/portrait-of-manet-the-studio-artist
Aug 07, 2019 · ÉDOUARD MANET was a keen observer of all 19th-century Paris had to offer. Considered “the painter of modern life,” in keeping with Charles Baudelaire’s 1863 essay of that title, he frequented the city’s cafés and admired its fashions, making sketches of what inspired him but composing most of his work in the studio.
http://psychogeographicreview.com/baudelaire-benjamin-and-the-birth-of-the-flaneur/
Charles Baudelaire. The concept of the flâneur, the casual wanderer, observer and reporter of street-life in the modern city, was first explored, at length, in the writings of Baudelaire. Baudelaire’s flâneur, an aesthete and dandy, wandered the streets and arcades of nineteenth-century Paris looking at and listening to the kaleidoscopic manifestations of the life of a modern city.
http://www.artandarchitecture.org.uk/insight/virag_leisure_city/virag_leisure_city01.html
Baudelaire's rallying cry to artists to paint modern subjects, particularly the urban variety of Paris, was greeted with enthusiasm by the Impressionists. The artist whose work most clearly responds to Baudelaire's account of the artist as flâneur is probably Edouard Manet, who had close contact with the critic from about 1858. The sheer pace of modern living in nineteenth-century Paris was often …
https://www.theartstory.org/influencer/baudelaire-charles/
Where Baudelaire used poetry to achieve this affect, Delacroix used color, but both men were leading a charge towards a new - modern - era in art history. Baudelaire's name is inextricably linked with the idea of the flâneur: the anonymous street wanderer who created a poetic record of the rapidly shifting environment to which he, and his fellow urban dwellers, were exposed. As a "man of the city", he …
http://flaneur.me.uk/tag/manet/
Édouard Manet and The Representation of Modern Women The representation of women in the history of art has been full of assumed constraints, social expectations and political manipulations which toward the end of the 19th century in Paris were shaped by an […]
https://nigelip.com/2013/04/11/manet-and-parisian-modernity/
Apr 11, 2013 · Édouard Manet, Music at the Tuileries Gardens, 1862. Image via www.repubblica.it. I couldn’t fit in Manet himself! Own photograph. The second point is to do with the next room, Gallery 3. As if out of nowhere, they decided to plonk a timeline of the artist’s life in the middle of the exhibition.
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