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https://reinventingrid.com/2018/03/19/mark-bradford/
Mar 19, 2018 · Mark Bradford – Collage and Decollage. Art / Art in California. Not only are Mark Bradford’s typical works monumental in vertical and horizontal scale, they are also layered, built-up thick, oozing a palpable density. Mark Bradford, Rocket (2018), Hauser & Wirth Los Angeles. These layers can be pages from old comic books, newspaper prints, all glued down and up with shellac.
https://www.artsy.net/artist/mark-bradford
Fabricating his signature mixed-media collages with ephemera such as segments of billboards, flyers, and graffitied stencils, American artist Mark Bradford’s works marry his interests in modernist abstraction with the urban community from which he culls his materials. These ambitious, visually arresting works are striking for their simultaneous incorporation of physical remnants of a site and …Nationality: American
https://www.saatchigallery.com/artist/mark_bradford
Mark Bradford. Mark Bradford’s abstractions unite high art and popular culture as unorthodox tableaux of unequivocal beauty. Working in both paint and collage, Bradford incorporates elements from his daily life into his canvases: remnants of found posters and billboards, graffitied stencils and logos, and hairdresser’s permanent endpapers he’s collected from his other profession as a stylist.
https://art21.org/artist/mark-bradford/
Mark Bradford. Mark Bradford was born in Los Angeles, California, in 1961. He received a BFA (1995) and MFA (1997) from the California Institute of the Arts in Valencia. Bradford transforms materials scavenged from the street into wall-size collages and installations that respond to the impromptu networks—underground economies, migrant communities, or popular appropriation of abandoned …
https://en.wikipedia.org/wiki/Mark_Bradford
Work. Bradford is known for grid-like abstract paintings combining collage with paint.. In 2015, Mark Bradford created Pull Painting 1, a site-specific wall drawing inspired by Sol LeWitt along a 60-foot wall in the Wadsworth Atheneum as part of the museum's MATRIX 172 program. For this, Bradford applied dense layers of vibrantly coloured paper, paint, and rope.
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