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Mary Filer Artwork

    http://maryfiler.ca/
    Oct 30, 2019 · They were locked away in Mary Filer's home studio for decades, while she created her amazing glass sculptures, working till she was 88 years old. A stroke forced her retirement, and in November 2013 the sale of her home at 1107 W7th Ave., Vancouver, BC. I helped Rory Filer with the sale of some of her other artwork at that time.

Mary Filer « Royal Canadian Academy of Arts

    https://rca-arc.ca/member/mary-filer/
    Mary Filer (b. 1920, Edmonton, AB) is known for her pioneering work in glass art. She creates large-scale sculptural glass works by laminating coloured and clear planar glass to form both geometric and fluid compositions; the resulting works are infused with her deep interest in painting, architecture and landscape. During the 1950s, Filer taught university art in Canada and the United States.

Mary Filer - Artists In Stained Glass

    http://robertbrown.com/aisg/stained_glass_galleries/filer.htm
    Mary Filer is a pioneer in Canadian glass art. Her works are essentially sculptures created by laminating planal glass, clear and coloured, to form both geometric and fluid compositions. While she has often worked on a heroic scale, she is equally comfortable making small tabletop assemblages.

Bio-Bibliography Mary Filer

    http://maryfiler.ca/bio-bibliography/
    Mary Filer. Mary Filer was born in 1920 in Edmonton, Alberta. She lived in Regina, Saskstchewan as a young woman, studying at Balfour Technical School in Regina, Saskatchewan with accomplished Saskatchewan artist Garnet Hazard (1939-1941) before going on to study nursing at Regina General Hospital (1941-1944). In 1944 Filer moved to Montreal to study at McGill University's Neurological …

Saskatchewan NAC Artists Mary Filer

    http://www.sknac.ca/index.php?page=ArtistDetail&id=347
    Mary Filer. Mary Filer was born in 1920 in Edmonton, Alberta. She lived in Regina, Saskstchewan as a young woman, studying at Balfour Technical School in Regina, Saskatchewan with accomplished Saskatchewan artist Garnet Hazard (1939-1941) before going on to study nursing at Regina General Hospital (1941-1944).

Mary Harris Filer Artwork for Sale at Online Auction ...

    https://www.invaluable.com/artist/filer-mary-harris-vjssar6nso/
    Mary Filer, Canadian (1920-1996), Venus Observed, glass sculpture, 19 x 13 x 10 in. (48 x 33 x 25 cm)

Review: Mary Filer's exuberant work was full of ferocity ...

    https://vancouversun.com/entertainment/books/review-mary-filers-exuberant-work-was-full-of-ferocity/
    Dec 03, 2016 · The cover of The Life and Art of Mary Filer, designed by Mark Hand, shows details of the artist’s glass sculptures which reveal “her exuberant use of …

Mary Filer: renowned Canadian artist continues to ...

    https://give.sfu.ca/stories/mary-filer-renowned-canadian-artist-continues-influence-future-generations
    Teapot, 10-5-61, wc and ink on paper. An immensely talented artist, Mary Filer worked in multiple media. Initially trained as a watercolour painter under John Lyman and Group of Seven artist Arthur Lismer, she was also a pioneer in stained glass sculpture. Her dynamic, contemporary glass works were like nothing else being created during the 1960s with large shards, geometric shapes and sharp edges.

The Life and Art of Mary Filer - livrescanadabooks.com

    https://livrescanadabooks.com/en/canadian-books/details/the-life-and-art-of-mary-filer/
    Mary Filer (1920–2016) (RCA) trained as a nurse and artist and lived an extraordinary creative life. In the ’50s, she studied with Group of Seven artist Arthur Lismer and completed a 142-square-foot mural at the Montreal Neurological Institute. She was a pioneer in ‘cold’ glass sculpture in …

The Life and Art of Mary Filer BC Studies

    https://bcstudies.arts.ubc.ca/book_film_review/the-life-and-art-of-mary-filer/
    Dec 03, 2016 · The Life and Art of Mary Filer and The Life and Art of Edythe Hembroff-Schleicher are two of the latest contributions to the Mother Tongue series featuring “Unheralded Artists of British Columbia.” They are well written and researched, and beautifully produced. Both volumes give artists of an earlier era much-deserved attention when Canadian art historians prefer […]

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