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https://www.academia.edu/8571321/Interim_Selected_Work_of_Mary_Kelly
In Between Representation & Speech: Mary Kelly’s Interim Mary Kelly’s durational installation project Interim utilizes the power of ambiguity. It is an ambiguous space found between image and text, art-work and viewer, conflating what is explicitly stated against the implicitly assumed.
https://www.theartstory.org/artist/kelly-mary/artworks/
Nov 06, 2019 · Deliberately ambiguous and open ended, Interim firmly established Kelly as a leading Conceptual installation artist, motivated by socio-political ideas and the effective use of textual information and unusual juxtapositions to create an alternative form of potent storytelling.
https://www.jstor.org/stable/pdf/778800.pdf
in Mary Kelly's Interim EMILY APTER "How is a radical, critical and pleasurable positioning of the woman as spectator to be accomplished?"' This question, posed by Mary Kelly in an essay in 1984 and echoed by Griselda Pollock in her Vision and Difference of 1988, remains as vexing as ever in the 1990s. As before, the theorization of female
https://archive.newmuseum.org/exhibitions/192
Mary Kelly: Interim. February 16 – April 8 1990. Main Gallery. Interim (1984 - 1989) is one of Mary Kelly’s most ambitious projects, first shown as a complete work in this exhibition. Each of the four parts engages with a particular institutional discourse: fiction, fashion, and medicine in Corpus; the family in Pecunia; the media in Historia; and social science in Potestas.
https://www.theartstory.org/artist/kelly-mary/
Deliberately ambiguous and open ended, Interim firmly established Kelly as a leading Conceptual installation artist, motivated by socio-political ideas and the effective use of textual information and unusual juxtapositions to create an alternative form of potent storytelling.Nationality: American
https://www.artsy.net/artist/mary-kelly
Feminist artist Mary Kelly mines social and sexual politics through lenses of motherhood, gender equality, and psychology. In an audacious manifestation of the feminist slogan “the personal is political,” Kelly’s Post-Partum Document (1973–79) tracked the first several years of her child’s life. She took a scientific approach to collecting and presenting data, which included copiously annotated scribbles, toenail …Nationality: American
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