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https://www.wikiart.org/en/maurice-utrillo
Maurice Utrillo (French: [mɔʁis ytʁijo]), born Maurice Valadon (26 December 1883 – 5 November 1955), was a French painter who specialized in cityscapes. Born in the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre who was born there.Birth place: Montmartre, Paris, France
https://wolfsgallery.com/artists/maurice-valadon-utrillo
Born in Paris with the name of Maurice Valadon, Maurice Utrillo specilized in painting city scenes, especially of his beloved Paris. It is said that he is one of the most copied and forged artist in history. He was the son of teenage model, Marie-Clementine Valade, who painted under the name of Suzanne Valadon, and perhaps an amateur painter name Boissy.
https://www.theartstory.org/artist/utrillo-maurice/
Utrillo was associated with a group of notoriously decadent artists known of as " Les Maudits " - "The Cursed Ones" - along with his mother, Suzanne Valadon, Chaim Soutine, and Amadeo Modigliani.Nationality: French
https://www.askart.com/artist/Maurice_Valadon_Utrillo/9000107/Maurice_Valadon_Utrillo.aspx
Maurice (Valadon) Utrillo was active/lived in France. Maurice Utrillo is known for Landscape and cityscene genre painting, stage design.
https://www.1stdibs.com/creators/maurice-utrillo/art/prints-works-on-paper/
Maurice Utrillo, original, pencil signed and numbered (2/100) lithograph, ca. 1925. Maurice Utrillo (born Maurice Valadon, 1883 – 1955), was a French painter who specialized in city...
http://www.artnet.com/artists/maurice-utrillo/
Born Maurice Valadon on December 26, 1883 in Paris, France, his mother was the painter and artist’s model Suzanne Valadon. With the encouragement of his mother and his admiration for the Impressionists Alfred Sisleyand Camille Pissarro, Utrillo embarked on a career as an artist.Nationality: French
https://www.theartstory.org/artist/valadon-suzanne/
Maurice Utrillo Playing With a Slingshot (1895) As in all of her early drawings, Valadon develops a signature dark outline to her subjects. Unlike other women artists at the time Valadon rejected examples of a light and feathered “feminine” brushstroke, and instead experimented with bold and definitive lines, more typically considered to be “masculine”.
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