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https://www.maxginsburg.com/
Max Ginsburg I have lived and worked in New York all my life. As a New Yorker, I feel a personal and deep connection to this rich, energetic, and beautiful city with its amazingly diverse population. My objective is to paint about the people of New York, realistically and with compassion.
https://www.artrenewal.org/artists/max-ginsburg/7383
Max Ginsburg is a New York artist whose paintings are extremely realistic in form and content. His paintings explore the range of daily human life, concerned as much with life's ironies and social injustices, as with its many joys. Issues of war and peace, racism and the inhumanity of man have been a major focus in his art.Nationality: American
https://www.ginsburgillustration.com/
For the first time ever, MAX GINSBURG, one of America’s foremost illustrators, is presenting over one hundred illustrations for private ownership. Created between 1980 and 2004, these are the original oil paintings commissioned by some of the top publishing companies in the world.
https://www.maxginsburg.com/1956-1969/
Max Ginsburg. 2007 - Present; 2000 - 2006; 1970 - 1999; 1956 - 1969; Still Life; Life Studies ... Subway Artist. Powered by Squarespace ...
https://www.facebook.com/ginsburgstudio
Max Ginsburg Studio, Long Island City, New York. 4.6K likes. Fine Art Artist/ Instructor Paints in Oil Alla Prima Technique 'Paint from Life' workshops & demos
https://www.maxginsburg.com/2007-present/
Connie in Old Studio Chair. Powered by SquarespaceSquarespace
https://theartstudentsleague.org/instructor/max-ginsburg/
Max Ginsburg Max Ginsburg, Pat, Bearded, Oil on masonite, 18 x 14 inches, Grand Prize Winner, 2015 Portrait Society of America. Max Ginsburg has taught drawing and painting at the High School of Art & Design (1960–1982), the School of Visual Arts (1984–2000), and The Art …
https://www.artistsnetwork.com/art-mediums/oil-painting/max-ginsburg-how-to-paint-what-is/
Dec 21, 2013 · One of the finest draftsmen of his age, Max Ginsburg combines alla prima oil painting techniques and a humanist’s perspective for social commentary. This article first appeared in the June 2013 issue of The Artist’s Magazine.
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