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https://www.wikiart.org/en/max-weber
Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman.Birth place: Białystok, Poland
https://www.artsy.net/artist/max-weber
While known as a pioneer of cubism in America, Max Weber explored many styles in his work, including Fauvism, Expressionism, and abstraction. His earlier works walk the line between figurative and abstract, with heavy strokes and broken lines, revealing the influence of a range of European artists—from Cézanne and Matisse to Picasso and Braque —as well as early American modernism.Nationality: Russian-American
https://americanart.si.edu/artist/max-weber-5273
Weber’s early paintings reflect his fascination with Futurist themes, Cubist space, and Fauve color, although around 1917 religious motifs assume increasing importance. During the second decade of the century Weber supported himself primarily by lecturing, and his 1916 Essays on Art were based on his teachings at the White School of Photography.Born: Apr 18, 1881
https://fineartamerica.com/art/paintings/max+weber
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http://www.artnet.com/artists/max-weber-4/
Max Weber was a Russian-born Jewish-American painter best known for introducing Cubism to the United States. Weber’s abstracted depictions of interiors, landscapes, and portraits, were influenced by the works of Henri Rousseau , Henri Matisse, and Paul Cézanne. “Art has a higher purpose than mere imitation of nature.Nationality: American
https://www.theartstory.org/artist/weber-max/artworks/
At first glance, this composition might seem to be a completely abstract array of colors and shapes, but when analyzed with the title in mind, recognizable components of the titular setting begin to emerge: the wall, the black-and-yellow tiled floor, faces, etc. Harnessing the energy of Cubist abstraction, Weber's painting conveys not only these details of a Chinese restaurant, but conjures the bustling atmosphere …
https://www.theartstory.org/artist/weber-max/
In his later years, Weber turned away from abstraction in favor of figurative paintings that often drew inspiration from his Jewish heritage and childhood memories. Here, the four men gathered have an otherworldly quality, their elongated bodies recalling the Byzantine decorations common in …Born: Apr 18, 1881
https://whitney.org/collection/works/3270
Although Weber’s painting is largely abstract, the artist provides clues to its subject in the pattern of the checkered restaurant floor, the scrolled leg of a table, the Chinese red, black, and gold color scheme, and the suggestion of tabletops.
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