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https://www.italian-renaissance-art.com/The-Medici.html
He commissioned work and supported artists such as Donatello and Fra Angelico. Lorenzo the Magnificent (1449–1492) held the reins of power in Florence during the golden age of the Renaissance. He was involved in gaining commissions for artists such as Sandro Botticelli, Domenico Ghirlandaio, Andrea del Verrocchio, Leonardo da Vinci …
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Lorenzo de’ Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti.
https://www.vanderbilthistoricalreview.com/post/art-as-power-the-medici-family-as-magi-in-the-fifteenth-century
May 10, 2017 · Gozzoli’s Medici as Magi Such was the case with art commissioned by the Medici from Benozzo Gozzoli (ca. 1420-1497) who was among the most respected artists of his time. Born in Florence, he was named Benozzo di Lese di Sandro or Benozzo da Firenze. The second name “Gozzoli” was given to him by Giorgio Vasari in his Lives of the Artists.
http://themedicifamily.com/Lorenzo-de-Medici.html
He also commissioned around 1487 an illustrious team of artists—Botticelli, Perugino, Filippino Lippi and Domenico Ghirlandaio—to decorate his villa of Spedaletto, near Volterra, and ordered two works from Verrocchio, thought to be the Putto with a Fish and the David for his villa at Careggi.
https://www.history.com/topics/renaissance/medici-family
Oct 22, 2019 · Lorenzo was a poet himself, and supported the work of such Renaissance masters as Botticelli, Leonardo da Vinci and Michelangelo (whom the Medicis commissioned to …
https://www.artsy.net/article/artsy-editorial-italian-renaissance-wealthy-patrons-art-power
Aug 20, 2018 · The Medici also commissioned Michelangelo to construct a private chapel in 1520, in addition to the sculptures and paintings that would decorate it. The artist completed tombs and additional statues, though he abandoned the project in 1534 when he fell out of favor with Alessandro Medici, Duke of Florence, and fled the city for Rome (future generations of artisans completed the work).
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