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http://www.melanieauthier.com/
Melanie Authier - Visual Artist. Stone Cirque / Phantoms of a Thousand Hours. acrylic on canvas. 47” x 70
https://www.gallery.ca/magazine/artists/an-interview-with-melanie-authier
Dec 01, 2016 · December 1, 2016. Magazine. Photo: Julia Martin. Canadian artist Melanie Authier deliberately seeks out chaos, conflict and contradictions as fodder for her abstract paintings. The results are what she calls “a brimming jostle of pictorial oppositions,” which are immediately engaging, yet surprisingly calm and reflective.
http://www.melanieauthier.com/artist-bio-1
This Fall Authier was awarded a Research and Creation Grant by the Canada Council for the Arts. She is currently focused on an in-depth period of . studio exploration as she works towards her next suite of paintings. Authier currently lives and works in Val-des-Monts, Quebec, Canada. She is represented by Georgia Scherman Projects, Toronto.
http://www.melanieauthier.com/news-1
Dec 10, 2020 · Melanie Authier’s canvases bring viewers into a caterwaul of form, but also of competing histories. Citing High Modernist Abstraction in both her hard- edge and gestural painting, Authier positions herself at the interstices of a visual contradiction.
http://www.melanieauthier.com/2019
Melanie Authier. Catch and Release. acrylic on canvas. 72" x 108". Stone Frequency. acrylic on canvas. 47" x 70". Spindrift. acrylic on canvas.
https://www.gallery.ca/collection/artist/melanie-authier
Melanie Authier. Melanie Authier is an established abstract painter. Born in Montreal in 1980, she holds a Bachelor of Fine Arts from Concordia University in Montreal, 2002 and a Master of Fine Arts from the University of Guelph, Ontario, 2006. Authier maintains a studio practice in Ottawa, where she is a Part-Time Professor at the University ...
http://www.melanieauthier.com/news
Melanie Authier’s canvases bring viewers into a caterwaul of form, but also of competing histories. Citing High Modernist Abstraction in both her hard-edge and gestural painting, Authier positions herself at the interstices of a visual contradiction.
http://www.georgiascherman.com/melanie-authier-artist-page
Melanie Authier’s canvases bring viewers into a caterwaul of form, but also of competing histories. Citing High Modernist Abstraction in both her hard-edge and gestural painting, Authier positions herself at the interstices of a visual contradiction. But other binaries figure in, as well: the synthetic and the organic, the technological and the natural, flatness and depth, the atmospheric and the geological.
https://canadianfinearts.com/contemporary-artists/melanie-authier/
Melanie Authier was born in 1980 in Montreal. She received a BFA from Concordia University, Montreal (2002) and an MFA from the University of Guelph (2006). Authier has exhibited across the country and was recently included in Builders: Canadian Biennial at the National Gallery of Canada (2012).
https://www.umanitoba.ca/schools/art/content/galleryoneoneone/authier.html
MELANIE AUTHIER'S KARMA KANYON [This review of Melanie Authier's Karma Kanyon solo exhibition at aceartinc first appeared in Winnipeg's Border Crossings magazine, vol. 26, number 3, August, 2007, 140-141] Imagine contemporary art as a collection of marching bands, each of which must toot its tubas down an obscure street until allowed - if ever allowed -- a chance to play on the boulevard.
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