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https://www.gf.org/fellows/all-fellows/michael-brenson/
Michael Brenson is an art historian, critic, and curator, who is currently a faculty member in sculpture at Bard College's Center for Curatorial Studies and Milton Avery Graduate School of the Arts, the only nonartist among MFA faculty members there.
https://www.whiting.org/content/michael-brenson
Michael Brenson was an art critic for The New York Times and has curated exhibitions at MoMA PS1 and the SculptureCenter. He has organized and moderated conferences or panels at the National Gallery of Art, the Solomon R. Guggenheim Museum, the Chazen Museum of Art, the Rockefeller Foundation, and New York’s Jewish Museum.
https://archive.iarp.wisc.edu/brenson/intro.html
Michael Brenson is the Fall 2004 Arts Institute Interdisciplinary Artist in Residence at the UW–Madison, his residency sponsored by the Elvehjem Museum of Art and cosponsored by the Department of Art, Department of Art History, Department of Philosophy, and School of …
https://www.publishersweekly.com/pw/by-topic/authors/interviews/article/41115-michael-brenson-visionaries-and-outcasts.html
Feb 19, 2001 · Born into a cultured, artistic family 58 years ago, Brenson lived a childhood filled with art and ideas. Both his parents came to the United States from Europe just after the start of World War II....
https://www.artbook.com/c12491.html
Known for the controversial pin he created as an interactive piece for the 1993 Whitney Biennial that read, "I can't imagine ever wanting to be white," this volume, with essays by Michael Brenson, David Levi Strauss, Hakim Bey and Gilbert Vicario, provides an in-depth look at selected works from 1978 through Martinez's 2008 Whitney Biennial entry, "Divine Violence," including his contributions to the San …
https://www.nytimes.com/1987/07/05/arts/art-view-by-michael-brenson.html
Jul 05, 1987 · ART VIEW; By MICHAEL BRENSON. July 5, 1987. ... is far more coherent and substantial than the disheartening A&L SUB JP BRENSON International Survey of …
https://www.amazon.com/Visionaries-Outcasts-Congress-Visual-America/dp/1565846249
Brenson, the former New York Times art critic, vividly captures the eloquent verve with which Congress supported the public funding of artists in 1965 and contrasts that with the political climate in 1995, when fellowships to individual artists were ended and nary a person of political or cultural power came to the artists' defense. This examination of one of the most controversial government programs of our time is essential to the discussion of the place of the artist …Cited by: 96
http://michael-benson.com/
Michael Benson works at the intersection of art and science. A photographer, writer, filmmaker, book-designer, and exhibitions producer, in the last decade he has staged a series of increasingly large-scale shows of planetary landscape photography internationally.
https://www.nytimes.com/2001/04/22/books/the-artists-and-the-artocrats.html
Apr 22, 2001 · Visionaries and Outcasts The NEA, Congress, and the Place of the Visual Artist in America. By Michael Brenson. 157 pp. New York: The New Press. $25. IN 1995, Congress cut funding for the National ...
https://ursulavonrydingsvard.net/press
Michael Brenson “Artist's Wooden Creations Are Scarred with Childhood Emotion.” The Detroit News, March 10, 1989. Joy Colby “Decade in Review.” Sculpture, May/June 1989. Eric Gibson “Vulnerability and Ritual Live in Cedar Forms.” Detroit Free Press, February 12, 1989. Marsha Miro “’Totem’ Digs Deep into Culture, Consciousness.”
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