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http://members.optusnet.com.au/~robert2600/mparr.html
Mike Parr's Self Portraits: Unma (s)king the Self The obsession with self-portraiture evident in Parr should not be reduced to trite notions of narcissism or self-expression. Something more significant is happening here, Parr is embarked upon a search for something which can never be found, a …
https://www.themonthly.com.au/art-justin-clemens-i-advance-masked-039volte-face-mike-parr-prints-amp-pre-prints-1970-2005039-201
The art historian David Bromfield quotes Parr as saying: “To be born with one arm is to suffer an incomplete gestalt … to see this incompletion always reflected in others’ eyes.” Whatever the aetiology of Parr’s creative drives, there’s no question that his stump plays a decisive role: as inspiration, as subject, as actor and as emblem.
https://artguide.com.au/mike-parr
Aug 11, 2016 · Mike Parr and Ian Stocks (16mm camera), Light a candle. Hold your finger in the flame for as long as possible (film still), 1972. National Gallery of Australia. Purchased 1973. Mike Parr and John Delacour (photographer), The Emetics (Primary Vomit) I am Sick of Art (Red, Yellow and Blue), Blue, 1977. Image courtesy of the artist.
https://rundog.art/the-eternal-opening-towards-an-amazonian-square-mike-parr/
Nov 20, 2019 · ‘I am fascinated by dualisms, mirror images, blindness and invisibility, subject/object reversals, the roles of artist and audience and all my work, since my earliest performances of the 1970s exacerbates such tensions, as the deeper structure of both thought and image.’ Mike Parr, (January 1998)
https://www.artlink.com.au/articles/2656/malewitsch-5Ba-political-arm5D-mike-parr/
As a performance Mike Parr's Malewitsch [A Political Arm] diverges slightly from his previous overly self-referential pieces. The work has a politically motivated social conscience strongly opposed to Australia's treatment of refugees and asylum seekers. It is similar to Parr's previous performances in that the work is a test of the body's limits.
https://www.smh.com.au/culture/art-and-design/mike-parr-an-obliteration-of-the-self-or-an-obsession-with-it-20191125-p53ds6.html
Nov 29, 2019 · Mike Parr is an artist who is prepared to suffer for his art and make everyone else suffer as well. Spending hours at Carriageworks last week watching Parr put himself through a series of ...
https://www.mca.com.au/artists-works/artists/mike-parr/
Mike Parr’s broad-ranging practice in performance, printmaking and drawing goes back to the early 1970s. His work, often highly political, has been exhibited extensively around Australia and the rest of the world, including in major group exhibitions such as Mix Tape 1980s: Appropriation, Subculture, Critical Style, National Gallery of Victoria, Melbourne (2013); Last Ride in a Hot Air ...
https://www.artgallery.nsw.gov.au/collection/works/?artist_id=parr-mike
Mike Parr The Trojan(ed) horse (self portrait as a stage) 1983-1984 194.1985.a-d Mike Parr Rules and displacement activities, part II 1975-1976 237.1977 Mike Parr Black Box: Theatre of …
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