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https://www.moseswilliams-works.com/about
2019-20 Artist Member, Coop Gallery, Nashville, TN . 2016-17 Graduate Representative, Faculty Arts Council, Pittsburgh, Pennsylvania . 2014 Graduate Representative, Faculty Arts Council, Pittsburgh, Pennsylvania . 2012-13 Founding Member, Co-Chair, Co. H, Artist Collective, Nashville, TN
https://www.artsy.net/article/artsy-editorial-slave-american-painter-moses-williams-forged-artistic-career
Feb 19, 2018 · For just eight cents, visitors could have their features memorialized by African American silhouettist Moses Williams as early as 1802. He produced thousands of hollow-cut silhouette profiles over the following two decades, recognizably capturing the precise slope of a forehead or the pout of a lip using just two pieces of paper.
https://artsandculture.google.com/asset/revealed-silhouette-of-a-young-woman/gQGBxo3MLxQmAA
Born a slave to American artist Charles Willson Peale, Moses Williams became a free man at the age of 27. Training in Peale’s museum gave Williams many skills—particularly in creating profile...
https://daily.jstor.org/the-former-slave-who-became-a-master-silhouette-artist/
Jun 07, 2018 · A new exhibit of silhouette artists surfaces Moses Williams, a former slave who created thousands of beautiful works of art but never got credit for them. A profile of Williams, possibly by Raphaelle Peale, possibly a self-portrait by Williams. via Wikipedia Commons. By: Allison C. Meier.
http://www.silhouettesbyhand.com/news/2015/1/19/black-silhouette-artist-and-entrepreneur-in-early-america
Jan 19, 2015 · Moses Williams was an African-American profile cutter in the household of world-renown portrait artist and first museum entrepreneur Charles Willson Peale, in the early 19th century. Moses was initially a slave, the child of slaves who were given to Peale possibly as payment for a portrait. Moses was treated as one of the family, and then manumitted (freed) by Peale in 1802.
https://www.jstor.org/stable/4598906
For many years Moses Williams (1777-ca.1825) was known to scholars only by a few references that constructed him as the one-time slave of Charles Willson Peale, a foremost painter, naturalist, and museum pro- prietor of the early republican period.2 It has long been established
https://digital.librarycompany.org/islandora/object/digitool%3A130124
Williams, Moses, 1777-1825, artist. Title: Moses Williams, cutter of profiles [graphic]. Publisher [Philadelphia] Date [ca. 1803] Physical Description: 1 item : silhouette ; sheet 9 x 8 cm (3.5 x 3.25 in.) Description: Silhouette of Peale's Museum premier African American silhouettist, facing left. Williams wears his hair in a ponytail adorned with a bow at the end.
https://www.incollect.com/articles/peales-museum-silhouettes
Peale initially employed Moses Williams to create the silhouettes; from the 1810s to the 1830s, a succession of other silhouettists worked at the museum, each in a slightly different style. 4 Two different embossing stamps were used at Peale’s museums: one reads “Peale’s Museum” under a spread eagle (Fig. 3), the other reads “MUSEUM” (Fig. 4).
https://www.willmoses.com/
2021 Will Moses Calendar. Open Size: 13" x 23 1/4". Never be late for an important date again! Twelve months of dates, moon phases and all the important holidays. …
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