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https://www.westmoresofhollywood.com/
Never again has a family dynasty made such an impact in television and film and influenced the way we perceive beauty and the way beauty is achieved. Pioneers of their industry, the Westmores' not only created, but they defined the role of makeup artists in Motion Pictures. The astounding accomplishments of 6 brothers, their visionary father, and their third and fourth generations of Westmore offspring span …
https://www.imdb.com/name/nm0922863/
Bud Westmore, Make Up Department: The Andromeda Strain. Bud Westmore was born on January 13, 1918 in New Orleans, Louisiana, USA as Hamilton Adolph Westmore. He is known for his work on The Andromeda Strain (1971), Soylent Green (1973) and It's a Mad, Mad, Mad, Mad World (1963). He was married to Jeanne Shores, Rosemary Lane and Martha Raye.Occupation: Make-Up Department
https://www.imdb.com/name/nm0922878/
1974 Scream of the Wolf (TV Movie) (makeup artist - as Mike Westmore) 1973 The World of Sid & Marty Krofft at the Hollywood Bowl (TV Special) (makeup artist) 1973 The Invasion of Carol Enders (TV Movie) (makeup artist - as Mike Westmore)
https://www.graceland.com/blog/posts/movie-make-up-magic-elvis-presley-and-the-westmore-family
Whether making a glamorous leading lady look the part, or turning a handsome actor into a scary movie monster, the Westmores created true makeup movie magic. Wally Westmore served as makeup supervisor on Elvis' 1960 musical "G.I. Blues." The Westmore family's makeup journey began with George Westmore, a British wigmaker.
https://siouxcityjournal.com/entertainment/movies/the-westmores-a-hollywood-makeup-artist-dynasty/article_e4b3e6d6-2a94-5eb1-b076-cce84d2988ed.html
George Westmore, a British hairdresser and wig maker who was Winston Churchill’s barber, established the first makeup department in Hollywood in 1917. Six of his sons — Monte, Perc, Ern, Wally, Bud...
http://www.filmreference.com/Writers-and-Production-Artists-Vi-Win/The-Westmore-Family.html
Bud Westmore had the best opportunities to make a name for himself, in that from the mid-1940s until 1970 he was head of makeup at Universal Studios (he took over from Jack Pierce, the man responsible for Boris Karloff's monster makeup in Frankenstein [1931]). The studio's move from horror to science-fiction brought about the need for bizarre new creations.
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